INDEX TO TECHNIQUE TIPS
Listed Alphabetically by Topic Discussed

TOPIC	TITLE OF ARTICLE	MUSICAL EXAMPLES MENTIONED IN ARTICLE
Alternating Right-Hand Fingers	Right-Hand Finger Alternation	Bianco Fiore (Cesare Negri) Garrotin (Joaquín Turina) Gagliarda, Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti) Courante, from Lute Suite No. 1, BWV 996 (J.S. Bach) Fugue, from Sonata No. 1, BWV 1000 (J.S. Bach) Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach) Prelude No. 3 (Heitor Villa-Lobos) Concerto in D Major (Antonio Vivaldi) Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor
"ami" Fast Scales	Fast Guitar Scales With "ami"	Variations on a Theme by Mozart, Op. 9 (Fernando Sor) Etude No. 7 (Heitor Villa-Lobos) Garrotin (Joaquín Turina) Concierto de Aranjuez (Joaquín Rodrigo) Passapie (Salavdor Bacarisse)
Anchor Finger Technique	The Anchor Finger Technique	English Dance (Ferdinando Carulli) Study No. 7 in A minor, Op. 60, No. 7 (Matteo Carcassi) Study No. 2 in Segovia's 20 Studies for the Guitar by Fernando Sor Leyenda, Asturias (Isaac Albéniz) Saltarello (Vicenzo Galilei) Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach) Courante, from Lute Suite No. 1, BWV 996 (J.S. Bach) Bianco Fiore (Cesare Negri) Prelude No. 4 (Heitor Villa-Lobos) Rafaga (Joaquín Turina) Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti) Capricho Catalan (Isaac Albéniz) Concierto de Aranjuez (Joaquín Rodrigo) Capricho Árabe (Francisco Tárrega) Variations on a Theme by Mozart, Op. 9 (Fernando Sor) Spanish Dance No. 5 (Enrique Granados)
Anxiety	How to Control Stage Fright (Performance Anxiety)	(No Musical Examples)
Apagado	Pizzicato	Capriccio Espagnol, "Scena e canto gitano" (Nicolai Rimsky-Korsakov) La Maja de Goya (Enrique Granados) Pipeline (Brian Carman, Bob Spickard) (I Can't Get No) Satisfaction (Mick Jagger, Keith Richards) Misionera (Fernando Bustamente) Waltz in E Major Op. 32 No. 2 (Fernando Sor) Maria (Francisco Tárrega) Leyenda, Asturias (Isaac Albéniz)
Arpeggiated Chords	How to Roll a Chord Part 1 of 2	(No Musical Examples)
Arpeggiated Harmonics	Cascading Campanella Harmonics for Classical Guitarists	Somewhere Over the Rainbow (Harold Arlen)
Arpeggio Exercises	Practice Routines, Part 1 of 2	(No Musical Examples)
Arpeggio Exercises	Arpeggio Exercises	El Abejorro (Emilio Pujol)
Arpeggios Planting	Right-Hand Planting Technique for Arpeggios	(No Musical Examples)
Arrangements	Transcriptions and Arrangements	Jesu Joy of Man's Desiring (J.S. Bach)
Articulation	Should I Listen to Performances and Recordings of Other Guitarists	(No Musical Examples)
Articulation	How to Play Staccato, Part 1 of 3	(No Musical Examples)
Articulation	How to Play Staccato, Part 2 of 3	Segovia Scales (Andres Segovia) Leyenda, Asturias (Isaac Albéniz) In the Hall of the Mountain King (Edvard Grieg) from Peer Gynt, Suite No. 1, Op. 46 Study No. 9 in Segovia’s Twenty Studies by Fernando Sor
Articulation	How to Play Staccato, Part 3 of 3	Rossiniana No. 4, Opus 122 (Mauro Giuliani) Grand Solo, Op. 14 (Fernando Sor) Malagueña, Op. 165 No. 3 (Isaac Albéniz) Presto of the Prelude from Lute Suite No. 1, BMV 996 (J.S. Bach) Mr. Bojangles (Jerry Jeff Walker)
Artificial Fingernails	Best Artificial Nail System Yet	(No Musical Examples)
Artificial Harmonics	Natural, Right Hand, and Artificial Harmonics	Spanish Dance No. 5 (Enrique Granados) Fandanguillo (Joaquín Turina) Testament d'Amelia (Miguel Llobet) In Sorrow's Wake (Andrew York) Girl With the Flaxen Hair (Claude Debussy)
Balance of Intervals and Chords	Interval and Chord Balance Update	(No Musical Examples)
Balance of Intervals and Chords	Interval and Chord Balance Part 1 of 4	Pavane for a Dead Princess (Maurice Ravel) Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach) Pavana No. 2 (Luis Milán) Pavana No. 6 (Luis Milán) Prelude No. 4 (Heitor Villa-Lobos) Down In The Valley (Anonymous)
Balance of Intervals and Chords	Interval and Chord Balance Part 2 of 4	Saltarello (Vicenzo Galilei) from Six Lute Pieces of the Renaissance Prelude No. 2 (Manuel Ponce) Pavanas (Gaspar Sanz) Prelude No. 6 (Manuel Ponce) Bianco Fiore (Cesare Negri) from Six Lute Pieces of the Renaissance Jesu Joy of Man's Desiring (J.S. Bach)
Balance of Intervals and Chords	Interval and Chord Balance Part 3 of 4	Etude No. 7 (Heitor Villa-Lobos) Granada (Enrique Granados) Prelude No. 1 (Manuel Ponce) Prelude No. 1 (Heitor Villa-Lobos)
Balance of Intervals and Chords	Interval and Chord Balance Part 4 of 4	Pavane No. 6 (Luis Milán)
Bar Chords	The Secret (Little Jennifer's Secret) of How to Play Clear Bar Chords	(No Musical Examples)
Bar Chords	How to Learn to Play a Bar Chord in Under 2 Minutes	(No Musical Examples)
Bar Chords	Specialty Bars Part 1: Hinge Bars	Bianco Fiore (Cesare Negri) from Six Lute Pieces of the Renaissance Fandanguillo (Joaquín Turina) Prelude from Lute Suite No. 1, BWV 996 (J.S. Bach) Sonata in C Major, op. 15 (Mauro Giuliani) Pavane No. 3 (Luis Milán)
Bar Chords	Specialty Bars Part 2: Cross-Fret Bars	Rossiniana No. 1, op. 119 (Mauro Giuliani) Grand Overture (Mauro Giuliani) Recuerdos de la Alhambra Francisco Tárrega)
Bar Chords	Specialty Bars Part 3: Partial Bars	Recuerdos de la Alhambra (Francisco Tárrega) Capricho Árabe (Francisco Tárrega) Rossiniana No. 1, op. 119 (Mauro Giuliani) Leyenda, Asturias (Isaac Albéniz) Danza Pomposa (Alexandre Tansman) Study No. 3 in A major, Op. 60, No. 3 (Matteo Carcassi) Marieta (Francisco Tárrega) Courante, Lute Suite No. 1, BWV 996 (J.S. Bach) Cordoba (Isaac Albéniz) English Suite (Johm Duarte) (I Can't Get No) Satisfaction (Mick Jagger and Keith Richards
Bar Chords	How to Use Hinge Bars as Guide Fingers	Romanza, Romance (Anonymous) Etude No. 1 (Heitor Villa-Lobos) Recuerdos de la Alhambra (Francisco Tárrega) Jesu Joy of Man's Desiring (J.S. Bach) Choros No. 1 (Heitor Villa-Lobos)
Bar Chords	Top Ten Nasty Habits #1. Allowing Left-Hand Fingers to "Help" a Bar	Etude No. 7 (Heitor Villa-Lobos) Romanza, Romance (Anonyhmous) Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Etude No. 1 (Heitor Villa-Lobos) Study No. 3 (Heitor Villa-Lobos) Spanish Dance No. 5 (Enrique Granados)
Broken Fingernail	Best Artificial Nail System Yet	(No Musical Examples)
Broken Fingernails	Fingernail Health	(No Musical Examples)
Buying a Guitar	How to Buy a Classical Guitar	Prelude No. 3 (Heitor Villa-Lobos)
Campanella Harmonics	Cascading Campanella Harmonics for Classical Guitarists	Somewhere Over the Rainbow (Harold Arlen)
Carlevaro Pizzicato	Pizzicato	Capriccio Espagnol, "Scena e canto gitano" (Nicolai Rimsky-Korsakov) La Maja de Goya (Enrique Granados) Pipeline (Brian Carman, Bob Spickard) (I Can't Get No) Satisfaction (Mick Jagger, Keith Richards) Misionera (Fernando Bustamente) Waltz in E Major Op. 32 No. 2 (Fernando Sor) Maria (Francisco Tárrega) Leyenda, Asturias (Isaac Albéniz)
Cascading Campanella Harmonics	Cascading Campanella Harmonics for Classical Guitarists	Somewhere Over the Rainbow (Harold Arlen)
Choosing a Guitar	How to Buy a Classical Guitar	Prelude No. 3 (Heitor Villa-Lobos)
Choosing Fingering	Tone Color, Part 2	Spanish Dance No. 5 (Enrique Granados) La Frescobalda (Girolamo Frescobaldi) Leyenda, Asturias (Isaac Albéniz) Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti)
Choosing Fingering	Tone Color, Part 3	Leyenda, Asturias (Isaac Albéniz) Lágrima (Francisco Tárrega) Fandanguillo (Joaquín Turina) Method for the Spanish Guitar (Fernando Sor) First Call (Anonymous)
Choosing Right-Hand Fingering	How to Choose Right-Hand Fingerings, Part 1	Lesson 1 from Twenty-Four Progressive Lessons, Op 31, Book 1 (Fernando Sor) Lesson 2 from Twenty-Four Progressive Lessons, Op. 31, Book 1 (Fernando Sor) No. 1 from Twenty-Four Little Progressive Pieces, Op. 44 (Fernando Sor) No. 1 from Twenty-Four Very Easy Exercises, Op. 35, Book 1 (Fernando Sor) No. 10 from Introduction to the Study of the Guitar, Op. 60 (Fernando Sor) Study 3 from Twelve Studies, Op. 6 (Fernando Sor) No. 12 from Twenty-Four Very Easy Exercises, Op. 35, Book 1 (Fernando Sor) No. 13 from Twenty-Four Very Easy Exercises, Op. 35, Book 1 (Fernando Sor) No. 22 from Twenty-Four Very Easy Exercises, Op. 35, Book 2 (Fernando Sor) Afro-Cuban Lullaby (Arr. Jack Marshall) Study 5 from Twelve Studies, Op. 6 (Fernando Sor) Study No. 17 in Segovia's 20 Studies by Fernando Sor (Fernando Sor)
Choosing Right-Hand Fingering	How to Choose Right-Hand Fingerings, Part 2	Capricho Árabe (Francisco Tárrega) Study No. 3 in A major, Op. 60, No. 3 (Matteo Carcassi) Vals Venezolano, Venezuelan Waltz (Antonio Lauro) Study No. 17 in Segovia's 20 Studies by Fernando Sor (Fernando Sor) Sonata in A (Domenico Scarlatti) Study No. 6 in Andres Segovia's 20 Studies by Fernando Sor (Fernando Sor) Un Dia de Noviembre (Leo Brouwer) Alman (Robert Johnson) Tarantella (Sicilian Traditional) Study 1 from Introduction to the Study of the Guitar, Op. 60 (Fernando Sor) Exercise No. 13 from Twenty-Four Very Easy Exercises, Op. 35 (Fernando Sor)
Choosing Right-Hand Fingering	How to Choose Right-Hand Fingerings, Part 3	Study No. 14 from Andres Segovia's 20 Studies by Fernando Sor (Fernando Sor) Waltz in E, Op. 32, No. 2 (Fernando Sor) Variations on a Theme by Mozart, Op. 9 (Fernando Sor) Canarios (Gaspar Sanz) Sonatina, 3rd Movement (Federico Moreno Torroba) Prelude No. 3 (Heitor Villa-Lobos) Prelude No. 4 (Heitor Villa-Lobos) Sonatina, 1st Movement (Federico Moreno Torroba) Sonatina, 2nd Movement (Federico Moreno Torroba) Prelude, from Cello Suite No. 1 (J.S. Bach) Cello Suite No. 1 (J.S. Bach) Prelude No. 1 (Heitor Villa-Lobos)
Choppy Playing	Connecting a Single Melody Note to a Strummed or Arpeggiated Chord	Prelude No. 3 (Heitor Villa-Lobos) Capricho Árabe (Francisco Tárrega) Maria (Francisco Tárrega)
Chord Balance	Interval and Chord Balance Update	(No Musical Examples)
Chord Balance	Interval and Chord Balance Part 1 of 4	Pavane for a Dead Princess (Maurice Ravel) Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach) Pavana No. 2 (Luis Milán) Pavana No. 6 (Luis Milán) Prelude No. 4 (Heitor Villa-Lobos) Down In The Valley (Anonymous)
Chord Balance	Interval and Chord Balance Part 2 of 4	Saltarello (Vicenzo Galilei) from Six Lute Pieces of the Renaissance Prelude No. 2 (Manuel Ponce) Pavanas (Gaspar Sanz) Prelude No. 6 (Manuel Ponce) Bianco Fiore (Cesare Negri) from Six Lute Pieces of the Renaissance Jesu Joy of Man's Desiring (J.S. Bach)
Chord Balance	Interval and Chord Balance Part 3 of 4	Etude No. 7 (Heitor Villa-Lobos) Granada (Enrique Granados) Prelude No. 1 (Manuel Ponce) Prelude No. 1 (Heitor Villa-Lobos)
Chord Balance	Interval and Chord Balance Part 4 of 4	Pavane No. 6 (Luis Milán)
Chord Changes	Chord Changes	Ode to Joy, from Symphony #9 (Ludwig Van Beethoven)
Chords	Learn to Collapse Your Left-Hand Fingertip Joints	Prelude No. 2 (Heitor Villa-Lobos) La Catedral, "Preludio Saudade" (Agustín Barrios Mangoré) La Catedral, Andante Religioso (Agustín Barrios Mangoré) La Catedral, Allegro Solemne (Agustín Barrios Mangoré) Capricho Árabe (Francisco Tárrega) Adelita (Francisco Tárrega) Prelude, from Cello Suite No. 1 (J.S. Bach) Pavane for a Dead Princess (Maurice Ravel)
Chords, how to play rolled or arpeggiated chords	How to Roll a Chord Part 1 of 2	(No Musical Examples)
Chords, how to play rolled or arpeggiated chords	How to Roll a Chord Part 2 of 2	(No Musical Examples)
Color	Tone Color, Part 1	(No Musical Examples)
Color	Tone Color, Part 2	Spanish Dance No. 5 (Enrique Granados) La Frescobalda (Girolamo Frescobaldi) Leyenda, Asturias (Isaac Albéniz) Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti)
Color	Tone Color, Part 3	Leyenda, Asturias (Isaac Albéniz) Lágrima (Francisco Tárrega) Fandanguillo (Joaquín Turina) Method for the Spanish Guitar (Fernando Sor) First Call (Anonymous)
Concerts	Adrenaline and Altered Perception of Tempo	(No Musical Example)
Concerts	How to Control Stage Fright (Performance Anxiety)	(No Musical Examples)
Connected Sound	Connecting a Single Melody Note to a Strummed or Arpeggiated Chord	Prelude No. 3 (Heitor Villa-Lobos) Capricho Árabe (Francisco Tárrega) Maria (Francisco Tárrega)
Contrapuntal Music	How to Play Staccato, Part 3 of 3	Rossiniana No. 4, Opus 122 (Mauro Giuliani) Grand Solo, Op. 14 (Fernando Sor) Malagueña, Op. 165 No. 3 (Isaac Albéniz) Presto of the Prelude from Lute Suite No. 1, BMV 996 (J.S. Bach) Mr. Bojangles (Jerry Jeff Walker)
Contrast Baths	Hand Contrast Baths	(No Musical Examples)
Contrast Baths	Injury Prevention for the Classical Guitarist	(No Musical Examples)
Counterpoint	The Old Kleenex Trick	Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach)
Counterpoint	How to Play Staccato, Part 3 of 3	Rossiniana No. 4, Opus 122 (Mauro Giuliani) Grand Solo, Op. 14 (Fernando Sor) Malagueña, Op. 165 No. 3 (Isaac Albéniz) Presto of the Prelude from Lute Suite No. 1, BMV 996 (J.S. Bach) Mr. Bojangles (Jerry Jeff Walker)
Counting	Counting Out Loud—the Skill that Will Improve Your Guitar Playing More than Anything Else	Allegretto moderato, Op. 44, No. 4 (Fernando Sor) Prelude No. 4 (Heitor Villa-Lobos)
Counting	Hemiola: Switching from 6/8 to 3/4 Meter	America, from West Side Story (Leonard Bernstein) arr. Jorge Morel Canarios (Gaspar Sanz) Vals Venezolano No. 3 (Antonio Lauro) Concierto de Aranjuez, first movement (Joaquín Rodrigo)
Counting	How to Count the Rhythms in Songs Written in Multiple Parts	Twenty-Four Very Easy Exercises, Op. 35 No. 1 (Fernando Sor) Twenty Four Progressive Lessons, Op. 31, No. 1 (Fernando Sor) Adelita (Francisco Tárrega) Capricho Árabe (Francisco Tárrega) Study No. 2 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Lute Suite No. 3, BWV 995 (J.S. Bach) Prelude from Lute Suite No. 3, BWV 995 (J.S. Bach)
Cross-Fret Bars	Specialty Bars Part 2: Cross-Fret Bars	Rossiniana No. 1, op. 119 (Mauro Giuliani) Grand Overture (Mauro Giuliani) Recuerdos de la Alhambra Francisco Tárrega)
Cross-String Ornaments	Cross-String Ornaments, part 1 of 3	(No Musical Examples)
Cross-String Ornaments	Cross-String Ornaments, part 2 of 3	(No Musical Examples)
Cross-String Ornaments	Cross-String Ornaments, part 3 of 3	Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach) La Maja de Goya (Enrique Granados) Leyenda, Asturias (Isaac Albéniz)
Damping	String Damping, Part 1	Twinkle, Twinkle Little Star (Anonymous) Introduction to the Study of the Guitar, Op. 60, No. 5 (Fernando Sor) Romance, Romanza (Anonymous) Adelita (Francisco Tárrega)
Damping	String Damping, Part 2	Twinkle, Twinkle Little Star (Anonymous) Introduction to the Study of the Guitar, Op. 60 No. 5 (Fernando Sor) Romance, Romanza (Anonymous) Adelita (Francisco Tárrega) Gagliarda from Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti) Study No. 3 in A major, Op. 60, No. 3 (Matteo Carcassi)
Damping	String Damping, Part 3	Twinkle, Twinkle Little Star (Anonymous) Gymnopedie No. 1 (Erik Satie) Grand Overture (Mauro Giuliani) Lesson No. 3 from Twenty-Four Progressive Lessons, Book 1 Op. 31 (Fernando Sor) Prelude in D minor (originally C minor), BWV 999 (J.S. Bach) Prelude No. 1 (Heitor Villa-Lobos) Allemande (John Dowland) Alman (Robert Johnson) Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach)
Damping	String Damping, Part 4	Progressive Lessons, Op. 31 No. 1 (Fernando Sor) Pavane (Luis Milán) Alman (Robert Johnson) Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach) Prelude, Fugue, and Allegro, BMV 998 (J.S. Bach) Allegro Spiritoso, Op. 1, No. 10 (Mauro Giuliani) Sarabande from Suite in D minor, HWV 437 (Georg Friederic Handel) Adelita (Francisco Tárrega) Gymnopedie No. 1 (Erik Satie) Allemande, from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach) Fugue, BWV 1000 (J.S. Bach) Study No. 2, in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)
Descending Slurs	Learn to Collapse Your Left-Hand Fingertip Joints	Prelude No. 2 (Heitor Villa-Lobos) La Catedral, "Preludio Saudade" (Agustín Barrios Mangoré) La Catedral, Andante Religioso (Agustín Barrios Mangoré) La Catedral, Allegro Solemne (Agustín Barrios Mangoré) Capricho Árabe (Francisco Tárrega) Adelita (Francisco Tárrega) Prelude, from Cello Suite No. 1 (J.S. Bach) Pavane for a Dead Princess (Maurice Ravel)
Difficult Chords	Learn to Collapse Your Left-Hand Fingertip Joints	Prelude No. 2 (Heitor Villa-Lobos) La Catedral, "Preludio Saudade" (Agustín Barrios Mangoré) La Catedral, Andante Religioso (Agustín Barrios Mangoré) La Catedral, Allegro Solemne (Agustín Barrios Mangoré) Capricho Árabe (Francisco Tárrega) Adelita (Francisco Tárrega) Prelude, from Cello Suite No. 1 (J.S. Bach) Pavane for a Dead Princess (Maurice Ravel)
Drum	Snare Drum Effect, Part 1 of 2	Gran Jota de Concierto (Francisco Tárrega) Jota Sobre Motivos Populares (Francisco Tárrega)
Drum	Snare Drum Effect, Part 2 of 2	Gran Jota de Concierto (Francisco Tárrega) Jota Sobre Motivos Populares (Francisco Tárrega) Mosaico Española, Fantasia Española (Jorge Morel) Fantasia Española, Mosaico Española (Jorge Morel) Fantasy for Solo Guitar, Op. 107 (Malcolm Arnold) Tin Soldiers (Playing Soldiers) from Prince's Toys (Nikita Koshkin) Prince's Toys (Nikita Koshkin) Playing Soldiers (Tin Soldiers) from Prince's Toys (Nikita Koshkin) A Procession Winding Around Me (Jeffrey Van) Beat! Beat! Drums! from A Procession Winding Around Me (Jeffrey Van) El Berimbau (Baden Powell) arranged by Cacho Tirao Sitio de Zaragoza (Sabicas)
Drum Effects	Snare Drum Effect, Part 1 of 2	Gran Jota de Concierto (Francisco Tárrega) Jota Sobre Motivos Populares (Francisco Tárrega)
Drum Effects	The Tambor Percussion Effect	(No Musical Example)
Dynamics	Doug's Rule of Life #17	(No Musical Example)
Dynamics	Should I Listen to Performances and Recordings of Other Guitarists	(No Musical Example)
Dynamics	Where Do I Put the Darn Dynamics?	(No Musical Example)
Dynamics	Yes I Exaggerate	(No Musical Example)
Dynamics	How to Play Loud on the Guitar	Romanza, Romance (Anonymous) Danza Pomposa (Alexandre Tansman) Capricho Árabe (Francisco Tárrega) Danza from Six Lute Pieces of the Renaisssance (trans. Oscar Chilesotti) Six Lute Pieces of the Renaissance (trans. Oscar Chilsotti) Fandanguillo (Joaquín Turina)
Etouffe	Pizzicato	Capriccio Espagnol, "Scena e canto gitano" (Nicolai Rimsky-Korsakov) La Maja de Goya (Enrique Granados) Pipeline (Brian Carman, Bob Spickard) (I Can't Get No) Satisfaction (Mick Jagger, Keith Richards) Misionera (Fernando Bustamente) Waltz in E Major Op. 32 No. 2 (Fernando Sor) Maria (Francisco Tárrega) Leyenda, Asturias (Isaac Albéniz)
Exercises (Right Hand)	Arpeggio Exercises	El Abejorro (Emilio Pujol)
Exercises (Slurs)	The Best Exercise You Can Practice for the Left Hand, Part 1 of 2	(No Musical Example)
Exercises (Slurs)	The Best Exercise You Can Practice for the Left Hand, Part 2 of 2	(No Musical Example)
Exercises for Left Hand	The Best Exercise You Can Practice for the Left Hand, Part 1 of 2	(No Musical Example)
Exercises for Left Hand	The Best Exercise You Can Practice for the Left Hand, Part 2 of 2	(No Musical Example)
Exercises for Left Hand	The Spider Exercise	(No Musical Example)
Exercises, Left-Hand Finger Independence	The Best Exercise You Can Practice for the Left Hand, Part 1 of 2	(No Musical Example)
Exercises, Left-Hand Finger Independence	The Best Exercise You Can Practice for the Left Hand, Part 2 of 2	(No Musical Example)
Exercises, Left-Hand Finger Independence	The Spider Exercise	(No Musical Example)
Exercises, Left-Hand Finger Independence	Top Ten Nasty Habits #2, Pushing the Little Finger Around	Andante Op. 241, No. 5, (Ferdinando Carulli) Moderato, Op. 35, No. 2 (Fernando Sor)
Exercises, Stretching Exercises	Stretching Exercises	(No Musical Example)
Expression	How to Play Staccato, Part 1 of 3	(No Musical Example)
Expression	Should I Listen to Performances and Recordings of Other Guitarists	Progressive Lessons, Op. 31 No. 1 (Fernando Sor) Pavane (Luis Milán) Alman (Robert Johnson) Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach) Prelude, Fugue, and Allegro, BMV 998 (J.S. Bach) Allegro Spiritoso, Op. 1, No. 10 (Mauro Giuliani) Sarabande from Suite in D minor, HWV 437 (Georg Friederic Handel) Adelita (Francisco Tárrega) Gymnopedie No. 1 (Erik Satie) Allemande, from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach) Fugue, BWV 1000 (J.S. Bach) Study No. 2, in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)
Expression	String Damping, Part 4	Progressive Lessons, Op. 31 No. 1 (Fernando Sor) Pavane (Luis Milán) Alman (Robert Johnson) Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach) Prelude, Fugue, and Allegro, BMV 998 (J.S. Bach) Allegro Spiritoso, Op. 1, No. 10 (Mauro Giuliani) Sarabande from Suite in D minor, HWV 437 (Georg Friederic Handel) Adelita (Francisco Tárrega) Gymnopedie No. 1 (Erik Satie) Allemande, from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach) Fugue, BWV 1000 (J.S. Bach) Study No. 2, in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)
Expression	Where Do I Put the Darn Dynamics?	(No Musical Example)
Expression	Yes I Exaggerate. Exaggerate Your Dynamics.	(No Musical Example)
Expression	Know What You Are Playing—Sing!	Romance, Romanza (Anonymous) Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti) Adelita (Francisco Tárrega) Vals Venezolano, Venezuelan Waltz No. 3 (Antonio Lauro) Lute Suite No. 1, BWV 996 (J.S. Bach) Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach)
Expression	How to Play Loud on the Guitar	Romanza, Romance (Anonymous) Danza Pomposa (Alexandre Tansman) Capricho Árabe (Francisco Tárrega) Danza from Six Lute Pieces of the Renaisssance (trans. Oscar Chilesotti) Six Lute Pieces of the Renaissance (trans. Oscar Chilsotti) Fandanguillo (Joaquín Turina)
Expression	Tone Color, Part 3	Leyenda, Asturias (Isaac Albéniz) Lágrima (Francisco Tárrega) Fandanguillo (Joaquín Turina) Method for the Spanish Guitar (Fernando Sor) First Call (Anonymous)
Expression	How to Play Staccato, Part 2 of 3	Segovia Scales (Andres Segovia) Leyenda, Asturias (Isaac Albéniz) In the Hall of the Mountain King (Edvard Grieg) from Peer Gynt, Suite No. 1 , Op. 46 Study No. 9 in Segovia’s Twenty Studies by Fernando Sor
Expression	How to Play Staccato, Part 3 of 3	Rossiniana No. 4, Opus 122 (Mauro Giuliani) Grand Solo, Op. 14 (Fernando Sor) Malagueña, Op. 165 No. 3 (Isaac Albéniz) Presto of the Prelude from Lute Suite No. 1, BMV 996 (J.S. Bach) Mr. Bojangles (Jerry Jeff Walker)
Fast Scales	Fast Guitar Scales With "ami"	Variations on a Theme by Mozart, Op. 9 (Fernando Sor) Etude No. 7 (Heitor Villa-Lobos) Garrotin (Joaquín Turina) Concierto de Aranjuez (Joaquín Rodrigo) Passapie (Salavdor Bacarisse)
Finger Alternation	Right-Hand Finger Alternation	Bianco Fiore (Cesare Negri) Garrotin (Joaquín Turina) Gagliarda, Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti) Courante, from Lute Suite No. 1, BWV 996 (J.S. Bach) Fugue, from Sonata No. 1, BWV 1000 (J.S. Bach) Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach) Prelude No. 3 (Heitor Villa-Lobos) Concerto in D Major (Antonio Vivaldi) Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)
Fingerboard Dots	An Easy Way to Add Fret Marker Dots to Your Guitar	(No Musical Example)
Fingerboard Markers	An Easy Way to Add Fret Marker Dots to Your Guitar	(No Musical Example)
Fingering	Doug's Rule of Life #17	(No Musical Example)
Fingering	Tone Color, Part 2	Spanish Dance No. 5 (Enrique Granados) La Frescobalda (Girolamo Frescobaldi) Leyenda, Asturias (Isaac Albéniz) Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti)
Fingering	Tone Color, Part 3	Leyenda, Asturias (Isaac Albéniz) Lágrima (Francisco Tárrega) Fandanguillo (Joaquín Turina) Method for the Spanish Guitar (Fernando Sor) First Call (Anonymous)
Fingering, Right Hand	How to Choose Right-Hand Fingerings, Part 1	Lesson 1 from Twenty-Four Progressive Lessons, Op 31, Book 1 (Fernando Sor) Lesson 2 from Twenty-Four Progressive Lessons, Op. 31, Book 1 (Fernando Sor) No. 1 from Twenty-Four Little Progressive Pieces, Op. 44 (Fernando Sor) No. 1 from Twenty-Four Very Easy Exercises, Op. 35, Book 1 (Fernando Sor) No. 10 from Introduction to the Study of the Guitar, Op. 60 (Fernando Sor) Study 3 from Twelve Studies, Op. 6 (Fernando Sor) No. 12 from Twenty-Four Very Easy Exercises, Op. 35, Book 1 (Fernando Sor) No. 13 from Twenty-Four Very Easy Exercises, Op. 35, Book 1 (Fernando Sor) No. 22 from Twenty-Four Very Easy Exercises, Op. 35, Book 2 (Fernando Sor) Afro-Cuban Lullaby (Arr. Jack Marshall) Study 5 from Twelve Studies, Op. 6 (Fernando Sor) Study No. 17 in Segovia's 20 Studies by Fernando Sor (Fernando Sor)
Fingering, Right Hand	How to Choose Right-Hand Fingerings, Part 2	Capricho Árabe (Francisco Tárrega) Study No. 3 in A major, Op. 60, No. 3 (Matteo Carcassi) Vals Venezolano, Venezuelan Waltz (Antonio Lauro) Study No. 17 in Segovia's 20 Studies by Fernando Sor (Fernando Sor) Sonata in A (Domenico Scarlatti) Study No. 6 in Andres Segovia's 20 Studies by Fernando Sor (Fernando Sor) Un Dia de Noviembre (Leo Brouwer) Alman (Robert Johnson) Tarantella (Sicilian Traditional) Study 1 from Introduction to the Study of the Guitar, Op. 60 (Fernando Sor) Exercise No. 13 from Twenty-Four Very Easy Exercises, Op. 35 (Fernando Sor)
Fingering, Right Hand	How to Choose Right-Hand Fingerings, Part 3	Study No. 14 from Andres Segovia's 20 Studies by Fernando Sor (Fernando Sor) Waltz in E, Op. 32, No. 2 (Fernando Sor) Variations on a Theme by Mozart, Op. 9 (Fernando Sor) Canarios (Gaspar Sanz) Sonatina, 3rd Movement (Federico Moreno Torroba) Prelude No. 3 (Heitor Villa-Lobos) Prelude No. 4 (Heitor Villa-Lobos) Sonatina, 1st Movement (Federico Moreno Torroba) Sonatina, 2nd Movement (Federico Moreno Torroba) Prelude, from Cello Suite No. 1 (J.S. Bach) Cello Suite No. 1 (J.S. Bach) Prelude No. 1 (Heitor Villa-Lobos)
Fingerings	Should I Listen to Performances and Recordings of Other Guitarists	(No Musical Example)
Fingernail Health	Fingernail Health	(No Musical Example)
Fingernails	Best Artificial Nail System Yet	(No Musical Example)
Fingernails	Fingernail Health	(No Musical Example)
Fingernails	Fingernails	(No Musical Example)
Fingernails Tone Quality Free Stroke	How to Produce a Beautiful Tone, Part 2	(No Musical Example)
Fingernails Tone Quality on the Bass Strings	How to Produce a Beautiful Tone, Part 3	(No Musical Example)
Fingernails Tone Quality Rest Stroke	How to Produce a Beautiful Tone, Part 1	(No Musical Example)
Fingernails Tone Quality Thumb on Bass Strings	How to Produce a Beautiful Tone, Part 4	(No Musical Example)
Fingertips	Playing On the Tips of the Fingers	Leyenda, Asturias (Isaac Albéniz) Study No. 7 in A minor, op. 60, no. 7 (Matteo Carcassi) Prelude No. 1 (Heitor Villa-Lobos) Alman (Robert Johnson) Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach)
Finishing Your Fingernails	Fingernails	(No Musical Example)
Fix Broken Fingernail	Best Artificial Nail System Yet	(No Musical Example)
Flamenco	Rasgueados, Part 1 of 3	(No Musical Example)
Flamenco	Rasgueados, Part 2 of 3	(No Musical Example)
Flamenco	Rasgueados, Part 3 of 3	Fandanguillo, Rafaga, and Soleares (Joaquín Turina) Leyenda and Sevilla (Isaac Albéniz) The Millers Dance (Manuel de Falla) Popular and classical versions of Malagueña
Free Stroke Right-Hand Finger Alternation	Right-Hand Finger Alternation	Bianco Fiore (Cesare Negri) Garrotin (Joaquín Turina) Gagliarda, Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti) Courante, from Lute Suite No. 1, BWV 996 (J.S. Bach) Fugue, from Sonata No. 1, BWV 1000 (J.S. Bach) Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach) Prelude No. 3 (Heitor Villa-Lobos) Concerto in D Major (Antonio Vivaldi) Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)
Free Stroke Tone Quality	How to Produce a Beautiful Tone, Part 2	(No Musical Example)
Free Stroke Tone Quality on the Bass Strings	How to Produce a Beautiful Tone, Part 3	(No Musical Example)
Free Stroke Tone Quality Thumb on the Bass Strings	How to Produce a Beautiful Tone, Part 4	(No Musical Example)
Fret Dots	An Easy Way to Add Fret Marker Dots to Your Guitar	(No Musical Example)
Fret Markers	An Easy Way to Add Fret Marker Dots to Your Guitar	(No Musical Example)
Fretboard Markers	An Easy Way to Add Fret Marker Dots to Your Guitar	(No Musical Example)
Guide Fingers	How to Use Hinge Bars as Guide Fingers	Romanza, Romance (Anonymous) Etude No. 1 (Heitor Villa-Lobos) Recuerdos de la Alhambra (Francisco Tárrega) Jesu Joy of Man's Desiring (J.S. Bach) Choros No. 1 (Heitor Villa-Lobos)
Guide Fingers	Guide Fingers	Prelude No. 3 (Heitor Villa-Lobos) Study in A minor (Dionisio Aguado) Study No. 3 (Matteo Carcassi) Lágrima (Francisco Tárrega) Leyenda, Asturias Isaac Albéniz) Waltz (Ferdinando Carulli) Study No. 2 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Romanza, Romance (Anonymous)
Hammer-ons and Pull-offs (Slurs)	The Best Exercise You Can Practice for the Left Hand, Part 1 of 2	(No Musical Example)
Hammer-ons and Pull-offs (Slurs)	The Best Exercise You Can Practice for the Left Hand, Part 2 of 2	(No Musical Example)
Hand Injury	Hand Contrast Baths	(No Musical Example)
Hand Injury	Injury Prevention for the Classical Guitarist	(No Musical Example)
Hand Position	Doug's Rule of Life #17	(No Musical Example)
Hand Position	String Damping, Part 2	Twinkle, Twinkle Little Star (Anonymous) Introduction to the Study of the Guitar, Op. 60 No. 5 (Fernando Sor) Romance, Romanza (Anonymous) Adelita (Francisco Tárrega) Gagliarda from Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti) Study No. 3 in A major, Op. 60, No. 3 (Matteo Carcassi)
Hand Position (Left Hand)	The Left-Hand Position	(No Musical Example)
Hand Position Right Hand	Right-Hand Position	(No Musical Example)
Hand Strength	No Girly-Men Guitarists Here	(No Musical Example)
Harmonic Notation	How to Read Harmonic Notation	Prelude No. 4 (Heitor Villa-Lobos) Testament d'Amelia (Miguel Llobet) Nocturnal, "Dreaming" (Benjamin Britten) Sonata, Op. 13 (Ludwig Van Beethoven) Fantaisie, Op. 6 (Fernando Sor) Nel Mezzo: Sonata (David Leisner) Omaggio (Manuel de Falla)
Harmonics	Nailing Harmonics Past the 19th Fret	Concierto de Aranjuez (Joaquin Rodrigo)
Harmonics	Natural, Right Hand, and Artificial Harmonics	Spanish Dance No. 5 (Enrique Granados) Fandanguillo (Joaquín Turina) Testament d'Amelia (Miguel Llobet) In Sorrow's Wake (Andrew York) Girl With the Flaxen Hair (Claude Debussy)
Harmonics	How to Read Harmonic Notation	Prelude No. 4 (Heitor Villa-Lobos) Testament d'Amelia (Miguel Llobet) Nocturnal, "Dreaming" (Benjamin Britten) Sonata, Op. 13 (Ludwig Van Beethoven) Fantaisie, Op. 6 (Fernando Sor) Nel Mezzo: Sonata (David Leisner) Omaggio (Manuel de Falla)
Harmonics	Cascading Campanella Harmonics for Classical Guitarists	Somewhere Over the Rainbow (Harold Arlen)
Harp Harmonics	Cascading Campanella Harmonics for Classical Guitarists	Somewhere Over the Rainbow (Harold Arlen)
Health of Fingernails	Fingernail Health	(No Musical Example)
Hemiola	Hemiola: Switching from 6/8 to 3/4 Meter	America, from West Side Story (Leonard Bernstein) arr. Jorge Morel Canarios (Gaspar Sanz) Vals Venezolano No. 3 (Antonio Lauro) Concierto de Aranjuez, first movement (Joaquín Rodrigo)
High Harmonics	Nailing Harmonics Past the 19th Fret	Concierto de Aranjuez (Joaquin Rodrigo)
High Positions	Learn to Collapse Your Left-Hand Fingertip Joints	Prelude No. 2 (Heitor Villa-Lobos) La Catedral, "Preludio Saudade" (Agustín Barrios Mangoré) La Catedral, Andante Religioso (Agustín Barrios Mangoré) La Catedral, Allegro Solemne (Agustín Barrios Mangoré) Capricho Árabe (Francisco Tárrega) Adelita (Francisco Tárrega) Prelude, from Cello Suite No. 1 (J.S. Bach) Pavane for a Dead Princess (Maurice Ravel)
Hinge Bars	Specialty Bars Part 1: Hinge Bars	Bianco Fiore (Cesare Negri) from Six Lute Pieces of the Renaissance Fandanguillo (Joaquín Turina) Prelude from Lute Suite No. 1, BWV 996 (J.S. Bach) Sonata in C Major, op. 15 (Mauro Giuliani) Pavane No. 3 (Luis Milán) Lute Suite No. 1, BWV 996 (J.S. Bach)
Holding the Guitar	Put An End To Your Guitar's Lap Dance Now	(No Musical Example)
Injury Prevention	Hand Contrast Baths	(No Musical Example)
Injury Prevention	Injury Prevention for the Classical Guitarist	(No Musical Example)
Interpretation	How to Play Staccato, Part 1 of 3	(No Musical Example)
Interpretation	How to Play Staccato, Part 2 of 3	Segovia Scales (Andres Segovia) Leyenda, Asturias (Isaac Albéniz) In the Hall of the Mountain King (Edvard Grieg) from Peer Gynt, Suite No. 1 , Op. 46 Study No. 9 in Segovia’s Twenty Studies by Fernando Sor (Fernando Sor)
Interpretation	How to Play Staccato, Part 3 of 3	Rossiniana No. 4, Opus 122 (Mauro Giuliani) Grand Solo, Op. 14 (Fernando Sor) Malagueña, Op. 165 No. 3 (Isaac Albéniz) Presto of the Prelude from Lute Suite No. 1, BMV 996 (J.S. Bach) Mr. Bojangles (Jerry Jeff Walker)
Interpretation	Performing With Energy, Passion, and Excitement	(No Musical Example)
Interpretation	Should I Listen to Performances and Recordings of Other Guitarists	(No Musical Example)
Interpretation	String Damping, Part 4	Progressive Lessons, Op. 31 No. 1 (Fernando Sor) Pavane (Luis Milán) Alman (Robert Johnson) Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach) Prelude, Fugue, and Allegro, BMV 998 (J.S. Bach) Allegro Spiritoso, Op. 1, No. 10 (Mauro Giuliani) Sarabande from Suite in D minor, HWV 437 (Georg Friederic Handel) Adelita (Francisco Tárrega) Gymnopedie No. 1 (Erik Satie) Allemande, from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach) Fugue, BWV 1000 (J.S. Bach) Study No. 2, in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)
Interpretation	Where Do I Put the Darn Dynamics?	(No Musical Example)
Interpretation	Yes I Exaggerate. Exaggerate Your Dynamics.	(No Musical Example)
Interpretation	Yes I Exaggerate. Exaggerate Your Dynamics.	(No Musical Example)
Interpretation	Know What You Are Playing—Sing!	Romance, Romanza (Anonymous) Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti) Adelita (Francisco Tárrega) Vals Venezolano, Venezuelan Waltz No. 3 (Antonio Lauro) Lute Suite No. 1, BWV 996 (J.S. Bach) Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach)
Interpretation	How to Play Loud on the Guitar	Romanza, Romance (Anonymous) Danza Pomposa (Alexandre Tansman) Capricho Árabe (Francisco Tárrega) Danza from Six Lute Pieces of the Renaisssance (trans. Oscar Chilesotti) Six Lute Pieces of the Renaissance (trans. Oscar Chilsotti) Fandanguillo (Joaquín Turina)
Interpretation	Tone Color, Part 2	Spanish Dance No. 5 (Enrique Granados) La Frescobalda (Girolamo Frescobaldi) Leyenda, Asturias (Isaac Albéniz) Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti)
Interpretation	Tone Color, Part 3	Leyenda, Asturias (Isaac Albéniz) Lágrima (Francisco Tárrega) Fandanguillo (Joaquín Turina) Method for the Spanish Guitar (Fernando Sor) First Call (Anonymous)
Interval and Chord Balance	Interval and Chord Balance Part 1 of 4	Pavane for a Dead Princess (Maurice Ravel) Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach) Pavana No. 2 (Luis Milán) Pavana No. 6 (Luis Milán) Prelude No. 4 (Heitor Villa-Lobos) Down In The Valley (Anonymous)
Interval and Chord Balance	Interval and Chord Balance Part 2 of 4	Saltarello (Vicenzo Galilei) from Six Lute Pieces of the Renaissance Prelude No. 2 (Manuel Ponce) Pavanas (Gaspar Sanz) Prelude No. 6 (Manuel Ponce) Bianco Fiore (Cesare Negri) from Six Lute Pieces of the Renaissance Jesu Joy of Man's Desiring (J.S. Bach)
Interval and Chord Balance	Interval and Chord Balance Part 3 of 4	Etude No. 7 (Heitor Villa-Lobos) Granada (Enrique Granados) Prelude No. 1 (Manuel Ponce) Prelude No. 1 (Heitor Villa-Lobos)
Interval and Chord Balance	Interval and Chord Balance Part 4 of 4	Pavane No. 6 (Luis Milán)
Interval and Chord Balance	Interval and Chord Balance Update	(No Musical Example)
Intonation	How to Tune Your Guitar	(No Musical Example)
Learning a Piece of Music	Practicing. Another New Year's Resolution? No. It's A Life Resolution!	(No Musical Example)
Learning a Piece of Music	Doug's Rule of Life #17	(No Musical Example)
Learning a Piece of Music	Effective Strategies for Rewarding Practice: Set Goals for EVERY Practice Session	(No Musical Example)
Learning a Piece of Music	I've Practiced That Spot a Hundred Times.	(No Musical Example)
Learning a Piece of Music	Memorizing Music	(No Musical Example)
Learning a Piece of Music	Practice Routines, Part 1 of 2	(No Musical Example)
Learning a Piece of Music	Practice With Your Eyes Closed	(No Musical Example)
Learning a Piece of Music	Should I Listen to Performances and Recordings of Other Guitarists	(No Musical Example)
Learning a Piece of Music	Talent is NOT the Answer	(No Musical Example)
Learning a Piece of Music	Know What You Are Playing—Sing!	Romance, Romanza (Anonymous) Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti) Adelita (Francisco Tárrega) Vals Venezolano, Venezuelan Waltz No. 3 (Antonio Lauro) Lute Suite No. 1, BWV 996 (J.S. Bach) Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach)
Learning a Piece of Music	Counting Out Loud—the Skill that Will Improve Your Guitar Playing More than Anything Else	Allegretto moderato, Op. 44, No. 4 (Fernando Sor) Prelude No. 4 (Heitor Villa-Lobos)
Learning a Piece of Music	Practicing in Altered Rhythms	Variations on a Theme by Mozart, op.9 (Fernando Sor) Allemande from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach) Vals Venezolano, Venezuelan Waltz No. 3 (Antonio Lauro)
Learning a Piece of Music	How to Use Reflex Practice to Master Fast, Difficult Passages Other than Scales	Study No. 2 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Lute Suite No. 1, BMV 996 (J.S. Bach) Bouree, from Lute Suite No. 1, BMV 996 (J.S. Bach) Variations on a Theme by Mozart, Op. 9 (Fernando Sor)
Learning a Piece of Music	Step Practice	Cavatina (Stanley Myers)
Learning a Piece of Music	How to Count the Rhythms in Songs Written in Multiple Parts	Twenty-Four Very Easy Exercises, Op. 35 No. 1 (Fernando Sor) Twenty Four Progressive Lessons, Op. 31, No. 1 (Fernando Sor) Adelita (Francisco Tárrega) Capricho Árabe (Francisco Tárrega) Study No. 2 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Lute Suite No. 3, BWV 995 (J.S. Bach) Prelude from Lute Suite No. 3, BWV 995 (J.S. Bach)
Learning a Piece of Music	Nailing Harmonics Past the 19th Fret	Concierto de Aranjuez (Joaquin Rodrigo)
Learning a Piece of Music	Mark Up Your Music	Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach) Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach)) Etude No. 1 (Heitor Villa-Lobos)) Rossiniana No. 1 Op. 119 (Mauro Giuliani)) Lágrima (Francisco Tárrega)
Left-Hand Exercises	The Spider Exercise	(No Musical Example)
Left-Hand Exercises (Slurs)	The Best Exercise You Can Practice for the Left Hand, Part 1 of 2	(No Musical Example)
Left-Hand Exercises (Slurs)	The Best Exercise You Can Practice for the Left Hand, Part 2 of 2	(No Musical Example)
Left-Hand Finger Independence	The Best Exercise You Can Practice for the Left Hand, Part 1 of 2	(No Musical Example)
Left-Hand Finger Independence	The Best Exercise You Can Practice for the Left Hand, Part 2 of 2	(No Musical Example)
Left-Hand Finger Independence	Top Ten Nasty Habits #2, Pushing the Little Finger Around	Andante Op. 241, No. 5, (Ferdinando Carulli) Moderato, Op. 35, No. 2 (Fernando Sor)
Left-Hand Finger Independence	Top Ten Nasty Habits #1, Allowing Left-Hand Fingers to "Help" a Bar	Etude No. 7 (Heitor Villa-Lobos) Romanza, Romance (Anonyhmous) Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Etude No. 1 (Heitor Villa-Lobos) Study No. 3 (Heitor Villa-Lobos) Spanish Dance No. 5 (Enrique Granados)
Left-Hand Fingers	Learn to Collapse Your Left-Hand Fingertip Joints	Prelude No. 2 (Heitor Villa-Lobos) La Catedral, "Preludio Saudade" (Agustín Barrios Mangoré) La Catedral, Andante Religioso (Agustín Barrios Mangoré) La Catedral, Allegro Solemne (Agustín Barrios Mangoré) Capricho Árabe (Francisco Tárrega) Adelita (Francisco Tárrega) Prelude, from Cello Suite No. 1 (J.S. Bach) Pavane for a Dead Princess (Maurice Ravel)
Left-Hand Position	The Left-Hand Position	(No Musical Example)
Left-Hand Position	Left-Hand Thumb	Leyenda, Asturias (Isaac Albéniz) Mazurka Apassionata (Agustín Barrios Mangoré) Spanish Dance No. 5 (Enrique Grandos)
Left-Hand Position	Playing On the Tips of the Fingers	Leyenda, Asturias (Isaac Albéniz) Study No. 7 in A minor, op. 60, no. 7 (Matteo Carcassi) Prelude No. 1 (Heitor Villa-Lobos) Alman (Robert Johnson) Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach)
Left-Hand Technique	Learn to Collapse Your Left-Hand Fingertip Joints	Prelude No. 2 (Heitor Villa-Lobos) La Catedral, "Preludio Saudade" (Agustín Barrios Mangoré) La Catedral, Andante Religioso (Agustín Barrios Mangoré) La Catedral, Allegro Solemne (Agustín Barrios Mangoré) Capricho Árabe (Francisco Tárrega) Adelita (Francisco Tárrega) Prelude, from Cello Suite No. 1 (J.S. Bach) Pavane for a Dead Princess (Maurice Ravel)
Left-Hand Thumb	Left-Hand Thumb	Leyenda, Asturias (Isaac Albéniz) Mazurka Apassionata (Agustín Barrios Mangoré) Spanish Dance No. 5 (Enrique Grandos)
Legato	Connecting a Single Melody Note to a Strummed or Arpeggiated Chord	Prelude No. 3 (Heitor Villa-Lobos) Capricho Árabe (Francisco Tárrega) Maria (Francisco Tárrega)
Legato	How to Play Staccato, Part 3 of 3	Rossiniana No. 4, Opus 122 (Mauro Giuliani) Grand Solo, Op. 14 (Fernando Sor) Malagueña, Op. 165 No. 3 (Isaac Albéniz) Presto of the Prelude from Lute Suite No. 1, BMV 996 (J.S. Bach) Mr. Bojangles (Jerry Jeff Walker)
Little Finger Right Hand	The Right-Hand Little Finger, Part 1 of 2	Carioca (arr. Jorge Morel)
Pinky Finger Right Hand	The Right-Hand Little Finger, Part 1 of 2	Carioca (arr. Jorge Morel)
Mastering a Piece of Music	Practicing. Another New Year's Resolution? No. It's A Life Resolution!	(No Musical Example)
Mastering a Piece of Music	Doug's Rule of Life #17	(No Musical Example)
Mastering a Piece of Music	Effective Strategies for Rewarding Practice: Set Goals for EVERY Practice Session	(No Musical Example)
Mastering a Piece of Music	I've Practiced That Spot a Hundred Times.	(No Musical Example)
Mastering a Piece of Music	Memorizing Music	(No Musical Example)
Mastering a Piece of Music	Practice Routines, Part 1 of 2	(No Musical Example)
Mastering a Piece of Music	Practice With Your Eyes Closed	(No Musical Example)
Mastering a Piece of Music	Should I Listen to Performances and Recordings of Other Guitarists	(No Musical Example)
Mastering a Piece of Music	Talent is NOT the Answer	(No Musical Example)
Mastering a Piece of Music	Know What You Are Playing—Sing!	Romance, Romanza (Anonymous) Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti) Adelita (Francisco Tárrega) Vals Venezolano, Venezuelan Waltz No. 3 (Antonio Lauro) Lute Suite No. 1, BWV 996 (J.S. Bach) Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach)
Mastering a Piece of Music	Counting Out Loud—the Skill that Will Improve Your Guitar Playing More than Anything Else	Allegretto moderato, Op. 44, No. 4 (Fernando Sor) Prelude No. 4 (Heitor Villa-Lobos)
Mastering a Piece of Music	Practicing in Altered Rhythms	Variations on a Theme by Mozart, op.9 (Fernando Sor) Allemande from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach) Vals Venezolano, Venezuelan Waltz No. 3 (Antonio Lauro)
Mastering a Piece of Music	How to Use Reflex Practice to Master Fast, Difficult Passages Other than Scales	Study No. 2 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Lute Suite No. 1, BMV 996 (J.S. Bach) Bouree, from Lute Suite No. 1, BMV 996 (J.S. Bach) Variations on a Theme by Mozart, Op. 9 (Fernando Sor)
Mastering a Piece of Music	Step Practice	Cavatina (Stanley Myers)
Mastering a Piece of Music	Tone Color, Part 2	(No Musical Example)
Mastering a Piece of Music	Tone Color, Part 3	Leyenda, Asturias (Isaac Albéniz) Lágrima (Francisco Tárrega) Fandanguillo (Joaquín Turina) Method for the Spanish Guitar (Fernando Sor) First Call (Anonymous)
Mastering a Piece of Music	Nailing Harmonics Past the 19th Fret	Concierto de Aranjuez (Joaquin Rodrigo)
Mastering a Piece of Music	Mark Up Your Music	Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach) Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach)) Etude No. 1 (Heitor Villa-Lobos)) Rossiniana No. 1 Op. 119 (Mauro Giuliani)) Lágrima (Francisco Tárrega)
Memorization	Doug's Rule of Life #17	(No Musical Example)
Memorization	Memorizing Music	(No Musical Example)
Metronome Markings	Metronome Tempo Markings	(No Musical Example)
Multiple Voices	How to Count the Rhythms in Songs Written in Multiple Parts	Twenty-Four Very Easy Exercises, Op. 35 No. 1 (Fernando Sor) Twenty Four Progressive Lessons, Op. 31, No. 1 (Fernando Sor) Adelita (Francisco Tárrega) Capricho Árabe (Francisco Tárrega) Study No. 2 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Lute Suite No. 3, BWV 995 (J.S. Bach) Prelude from Lute Suite No. 3, BWV 995 (J.S. Bach)
Multiple Voices	How to Count the Rhythms in Songs Written in Multiple Parts	Twenty-Four Very Easy Exercises, Op. 35 No. 1 (Fernando Sor) Twenty Four Progressive Lessons, Op. 31, No. 1 (Fernando Sor) Adelita (Francisco Tárrega) Capricho Árabe (Francisco Tárrega) Study No. 2 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Lute Suite No. 3, BWV 995 (J.S. Bach) Prelude from Lute Suite No. 3, BWV 995 (J.S. Bach)
Muscle Injury	Hand Contrast Baths	(No Musical Example)
Muscle Injury	Injury Prevention for the Classical Guitarist	(No Musical Example)
Music Annotation	Mark Up Your Music	Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach) Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach)) Etude No. 1 (Heitor Villa-Lobos)) Rossiniana No. 1 Op. 119 (Mauro Giuliani)) Lágrima (Francisco Tárrega)
Music Notation	How to Read Harmonic Notation	Prelude No. 4 (Heitor Villa-Lobos) Testament d'Amelia (Miguel Llobet) Nocturnal, "Dreaming" (Benjamin Britten) Sonata, Op. 13 (Ludwig Van Beethoven) Fantaisie, Op. 6 (Fernando Sor) Nel Mezzo: Sonata (David Leisner) Omaggio (Manuel de Falla)
Music Reading	Counting Out Loud—the Skill that Will Improve Your Guitar Playing More than Anything Else	Allegretto moderato, Op. 44, No. 4 (Fernando Sor) Prelude No. 4 (Heitor Villa-Lobos)
Music Reading	Sight Reading	Andante (Fernando Sor) Dixie (Daniel Decatur Emmett) America (Samuel A. Ward) When Irish Eyes are Smiling (Ernest Ball)
Music Reading	How to Read Harmonic Notation	Prelude No. 4 (Heitor Villa-Lobos) Testament d'Amelia (Miguel Llobet) Nocturnal, "Dreaming" (Benjamin Britten) Sonata, Op. 13 (Ludwig Van Beethoven) Fantaisie, Op. 6 (Fernando Sor) Nel Mezzo: Sonata (David Leisner) Omaggio (Manuel de Falla)
Music Reading	Counting Out Loud—the Skill that Will Improve Your Guitar Playing More than Anything Else	Allegretto moderato, Op. 44, No. 4 (Fernando Sor) Prelude No. 4 (Heitor Villa-Lobos)
Music Reading	Sight Reading	Andante (Fernando Sor) Dixie (Daniel Decatur Emmett) America (Samuel A. Ward) When Irish Eyes are Smiling (Ernest Ball)
Muting Strings	String Damping, Part 1	Twinkle, Twinkle Little Star (Anonymous) Introduction to the Study of the Guitar, Op. 60, No. 5 (Fernando Sor) Romance, Romanza (Anonymous) Adelita (Francisco Tárrega)
Muting Strings	String Damping, Part 2	Twinkle, Twinkle Little Star (Anonymous) Introduction to the Study of the Guitar, Op. 60 No. 5 (Fernando Sor) Romance, Romanza (Anonymous) Adelita (Francisco Tárrega) Gagliarda from Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti) Study No. 3 in A major, Op. 60, No. 3 (Matteo Carcassi)
Muting Strings	String Damping, Part 3	Twinkle, Twinkle Little Star (Anonymous) Gymnopedie No. 1 (Erik Satie) Grand Overture (Mauro Giuliani) Lesson No. 3 from Twenty-Four Progressive Lessons, Book 1 Op. 31 (Fernando Sor) Prelude in D minor (originally C minor), BWV 999 (J.S. Bach) Prelude No. 1 (Heitor Villa-Lobos) Allemande (John Dowland) Alman (Robert Johnson) Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach)
Muting Strings	String Damping, Part 4	Progressive Lessons, Op. 31 No. 1 (Fernando Sor) Pavane (Luis Milán) Alman (Robert Johnson) Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach) Prelude, Fugue, and Allegro, BMV 998 (J.S. Bach) Allegro Spiritoso, Op. 1, No. 10 (Mauro Giuliani) Sarabande from Suite in D minor, HWV 437 (Georg Friederic Handel) Adelita (Francisco Tárrega) Gymnopedie No. 1 (Erik Satie) Allemande, from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach) Fugue, BWV 1000 (J.S. Bach) Study No. 2, in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)
Nails	Best Artificial Nail System Yet	(No Musical Example)
Nails	Fingernails	(No Musical Example)
Nails: Thumbnail Shape and Length	How to Find the Best Length and Shape for Your Thumbnail	(No Musical Example)
Nails Tone Quality	How to Produce a Beautiful Tone, Part 1	(No Musical Example)
Nails, Tone Quality Free Stroke	How to Produce a Beautiful Tone, Part 2	(No Musical Example)
Nails, Tone Quality on the Bass Strings	How to Produce a Beautiful Tone, Part 3	(No Musical Example)
Nails Tone Quality Thumb on Bass Strings	How to Produce a Beautiful Tone, Part 4	(No Musical Example)
Nails: Health, Thin, Broken	Fingernail Health	(No Musical Example)
Natural Harmonics	Natural, Right Hand, and Artificial Harmonics	Spanish Dance No. 5 (Enrique Granados) Fandanguillo (Joaquín Turina) Testament d'Amelia (Miguel Llobet) In Sorrow's Wake (Andrew York) Girl With the Flaxen Hair (Claude Debussy)
Nerves	How to Control Stage Fright (Performance Anxiety)	(No Musical Examples)
Nervousness	How to Control Stage Fright (Performance Anxiety)	(No Musical Examples)
Non-standard Tunings	How to Stabilize Scordatura (open, non-standard) Tunings	(No Musical Example)
Notation	How to Read Harmonic Notation	Prelude No. 4 (Heitor Villa-Lobos) Testament d'Amelia (Miguel Llobet) Nocturnal, "Dreaming" (Benjamin Britten) Sonata, Op. 13 (Ludwig Van Beethoven) Fantaisie, Op. 6 (Fernando Sor) Nel Mezzo: Sonata (David Leisner) Omaggio (Manuel de Falla)
Notation	Snare Drum Effect, Part 2 of 2	Gran Jota de Concierto (Francisco Tárrega) Jota Sobre Motivos Populares (Francisco Tárrega) Mosaico Española, Fantasia Española (Jorge Morel) Fantasia Española, Mosaico Española (Jorge Morel) Fantasy for Solo Guitar, Op. 107 (Malcolm Arnold) Tin Soldiers (Playing Soldiers) from Prince's Toys (Nikita Koshkin) Prince's Toys (Nikita Koshkin) Playing Soldiers (Tin Soldiers) from Prince's Toys (Nikita Koshkin) A Procession Winding Around Me (Jeffrey Van) Beat! Beat! Drums! from A Procession Winding Around Me (Jeffrey Van) El Berimbau (Baden Powell) arranged by Cacho Tirao Sitio de Zaragoza (Sabicas)
Orchestration	Tone Color, Part 3	Leyenda, Asturias (Isaac Albéniz) Lágrima (Francisco Tárrega) Fandanguillo (Joaquín Turina) Method for the Spanish Guitar (Fernando Sor) First Call (Anonymous)
Ornaments	Cross-String Ornaments, part 1 of 3	(No Musical Example)
Ornaments	Cross-String Ornaments, part 2 of 3	(No Musical Example)
Ornaments	Cross-String Ornaments, part 3 of 3	Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach) La Maja de Goya (Enrique Granados) Leyenda, Asturias (Isaac Albéniz)
Overtones	String Damping, Part 4	(No Musical Example)
Pain Treatment	Hand Contrast Baths	(No Musical Example)
Pain Treatment	Injury Prevention for the Classical Guitarist	(No Musical Example)
Partial Bars	Specialty Bars Part 3: Partial Bars	Recuerdos de la Alhambra (Francisco Tárrega) Capricho Árabe (Francisco Tárrega) Rossiniana No. 1, op. 119 (Mauro Giuliani) Leyenda, Asturias (Isaac Albéniz) Danza Pomposa (Alexandre Tansman) Study No. 3 in A major, Op. 60, No. 3 (Matteo Carcassi) Marieta (Francisco Tárrega) Courante, Lute Suite No. 1, BWV 996 (J.S. Bach) Cordoba (Isaac Albéniz) English Suite (Johm Duarte) (I Can't Get No) Satisfaction (Mick Jagger and Keith Richards
Percussion Techniques	The Tambor Percussion Effect	(No Musical Example)
Percussion Techniques	Snare Drum Effect, Part 1 of 2	Gran Jota de Concierto (Francisco Tárrega) Jota Sobre Motivos Populares (Francisco Tárrega)
Percussion Techniques	Snare Drum Effect, Part 2 of 2	Gran Jota de Concierto (Francisco Tárrega) Jota Sobre Motivos Populares (Francisco Tárrega) Mosaico Española, Fantasia Española (Jorge Morel) Fantasia Española, Mosaico Española (Jorge Morel) Fantasy for Solo Guitar, Op. 107 (Malcolm Arnold) Tin Soldiers (Playing Soldiers) from Prince's Toys (Nikita Koshkin) Prince's Toys (Nikita Koshkin) Playing Soldiers (Tin Soldiers) from Prince's Toys (Nikita Koshkin) A Procession Winding Around Me (Jeffrey Van) Beat! Beat! Drums! from A Procession Winding Around Me (Jeffrey Van) El Berimbau (Baden Powell) arranged by Cacho Tirao Sitio de Zaragoza (Sabicas)
Performance Anxiety	How to Control Stage Fright (Performance Anxiety)	(No Musical Examples)
Performance	Adrenaline and Altered Perception of Tempo	(No Musical Example)
Performance	How to Control Stage Fright (Performance Anxiety)	(No Musical Examples)
Performance	Performing With Energy, Passion, and Excitement. It's All About Communication	(No Musical Example)
Performing	Adrenaline and Altered Perception of Tempo	(No Musical Example)
Performing	Doug's Rule of Life #17	(No Musical Example)
Performing	For Men Only: No Hairy Arms (or ankles)	(No Musical Example)
Performing	How to Control Stage Fright (Performance Anxiety)	(No Musical Examples)
Performing	How to Give a Performance (Without Making a Complete Fool of Yourself)	(No Musical Example)
Performing	How to Stabilize Scordatura (open, non-standard) Tunings	(No Musical Example)
Performing	How to Tune Your Guitar	(No Musical Example)
Performing	I've Practiced That Spot a Hundred Times.	(No Musical Example)
Performing	Memorizing Music	(No Musical Example)
Performing	Performing With Energy, Passion, and Excitement. It's All About Communication	(No Musical Example)
Performing	Practice Routines, Part 2 of 2	(No Musical Example)
Performing	Put An End To Your Guitar's Lap Dance Now	(No Musical Example)
Performing	Should I Listen to Performances and Recordings of Other Guitarists	(No Musical Example)
Performing	Where Do I Put the Darn Dynamics?	(No Musical Example)
Performing	Yes I Exaggerate. Exaggerate Your Dynamics.	(No Musical Example)
Performing	Pre-Planting At the Beginning of a Piece	Study No. 3 in A Major, Op. 60, No. 3 (Matteo Carcassi) Danza from Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti) Study No. 7 in A Minor, Op. 60, No. 7 (Matteo Carcassi) Adelita (Francisco Tárrega)
Performing	How to Play Loud on the Guitar	Romanza, Romance (Anonymous) Danza Pomposa (Alexandre Tansman) Capricho Árabe (Francisco Tárrega) Danza from Six Lute Pieces of the Renaisssance (trans. Oscar Chilesotti) Six Lute Pieces of the Renaissance (trans. Oscar Chilsotti) Fandanguillo (Joaquín Turina)
Performing	Pre-Planting At the Beginning of a Piece	Study No. 3 in A Major, Op. 60, No. 3 (Matteo Carcassi) Danza from Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti) Study No. 7 in A Minor, Op. 60, No. 7 (Matteo Carcassi) Adelita (Francisco Tárrega)
Phrasing	Should I Listen to Performances and Recordings of Other Guitarists	(No Musical Example)
Phrasing	String Damping, Part 4	Progressive Lessons, Op. 31 No. 1 (Fernando Sor) Pavane (Luis Milán) Alman (Robert Johnson) Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach) Prelude, Fugue, and Allegro, BMV 998 (J.S. Bach) Allegro Spiritoso, Op. 1, No. 10 (Mauro Giuliani) Sarabande from Suite in D minor, HWV 437 (Georg Friederic Handel) Adelita (Francisco Tárrega) Gymnopedie No. 1 (Erik Satie) Allemande, from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach) Fugue, BWV 1000 (J.S. Bach) Study No. 2, in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)
Pizzicato	Pizzicato	Capriccio Espagnol, "Scena e canto gitano" (Nicolai Rimsky-Korsakov) La Maja de Goya (Enrique Granados) Pipeline (Brian Carman, Bob Spickard) (I Can't Get No) Satisfaction (Mick Jagger, Keith Richards) Misionera (Fernando Bustamente) Waltz in E Major Op. 32 No. 2 (Fernando Sor) Maria (Francisco Tárrega) Leyenda, Asturias (Isaac Albéniz)
Planting	Right-Hand Planting Technique for Arpeggios	(No Musical Example)
Planting	Pre-Planting At the Beginning of a Piece	Study No. 3 in A Major, Op. 60, No. 3 (Matteo Carcassi) Danza from Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti) Study No. 7 in A Minor, Op. 60, No. 7 (Matteo Carcassi) Adelita (Francisco Tárrega)
Playing in High Positions	Playing in High Positions	Gymnopedie No. 1 (Erik Satie) Nocturnal (Benjamin Britten) Concierto de Aranjuez (Joaquín Rodrigo) Mazurka (Alexandre Tansman)
Polishing Your Fingernails	Fingernails	(No Musical Example)
Position	Playing On the Tips of the Fingers	Leyenda, Asturias (Isaac Albéniz) Study No. 7 in A minor, op. 60, no. 7 (Matteo Carcassi) Prelude No. 1 (Heitor Villa-Lobos) Alman (Robert Johnson) Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach)
Position (Left Hand)	The Left-Hand Position	(No Musical Example)
Position (Left Hand)	Left-Hand Thumb	Leyenda, Asturias (Isaac Albéniz) Mazurka Apassionata (Agustín Barrios Mangoré) Spanish Dance No. 5 (Enrique Grandos)
Position (Left Hand)	Playing On the Tips of the Fingers	Leyenda, Asturias (Isaac Albéniz) Study No. 7 in A minor, op. 60, no. 7 (Matteo Carcassi) Prelude No. 1 (Heitor Villa-Lobos) Alman (Robert Johnson) Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach)
Position, Right Hand	Right-Hand Position	(No Musical Example)
Practice Routine	Practice Routines, Part 1 of 2	(No Musical Example)
Practicing	Counting Out Loud—the Skill that Will Improve Your Guitar Playing More than Anything Else	Allegretto moderato, Op. 44, No. 4 (Fernando Sor) Prelude No. 4 (Heitor Villa-Lobos)
Practicing	How to Maintain Pieces in Your Repertoire	No musical examples.
Practicing	How to Use Reflex Practice to Master Fast, Difficult Passages Other than Scales	Study No. 2 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Lute Suite No. 1, BMV 996 (J.S. Bach) Bouree, from Lute Suite No. 1, BMV 996 (J.S. Bach) Variations on a Theme by Mozart, Op. 9 (Fernando Sor)
Practicing	How to Use Reflex Bursts to Learn a Fast Scale	Capricho Árabe (Francisco Tárrega)
Practicing	I've Practiced That Spot a Hundred Times. But when I play it for somebody, I still mess it up.	(No Musical Example)
Practicing	Know What You Are Playing—Sing!	Romance, Romanza (Anonymous) Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti) Adelita (Francisco Tárrega) Vals Venezolano, Venezuelan Waltz No. 3 (Antonio Lauro) Lute Suite No. 1, BWV 996 (J.S. Bach) Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach)
Practicing	Mark Up Your Music	Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach) Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach)) Etude No. 1 (Heitor Villa-Lobos)) Rossiniana No. 1 Op. 119 (Mauro Giuliani)) Lágrima (Francisco Tárrega)
Practicing	Memorizing Music	(No Musical Example)
Practicing	Memorizing Music	(No Musical Example)
Practicing	Practice Routines, Part 1 of 2	(No Musical Example)
Practicing	Practice Routines, Part 2 of 2	(No Musical Example)
Practicing	Practice With Your Eyes Closed	(No Musical Example)
Practicing	Practicing. Another New Year's Resolution? No. It's A Life Resolution!	(No Musical Example)
Practicing	Practicing in Altered Rhythms	Variations on a Theme by Mozart, op.9 (Fernando Sor) Allemande from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach) Vals Venezolano, Venezuelan Waltz No. 3 (Antonio Lauro)
Practicing	Scales, Part 1 of 2	Segovia Scales (Andres Segovia) Carlevaro Scales (Abel Carlevaro)
Practicing	Scales, Part 2 of 2	(No Musical Example)
Practicing	Set Goals for EVERY Practice Session	(No Musical Example)
Practicing	Sight Reading	Andante (Fernando Sor) Dixie (Daniel Decatur Emmett) America (Samuel A. Ward) When Irish Eyes are Smiling (Ernest Ball)
Practicing	Step Practice	Cavatina (Stanley Myers)
Practicing	Talent is NOT the Answer	(No Musical Example)
Practicing	The Old Kleenex Trick	Lute Suite No. 1, BWV 996 (J.S. Bach) Bouree, Bourree from Lute Suite No. 1, BWV 996 (J.S. Bach)
Pulloffs	Learn to Collapse Your Left-Hand Fingertip Joints	Prelude No. 2 (Heitor Villa-Lobos) La Catedral, "Preludio Saudade" (Agustín Barrios Mangoré) La Catedral, Andante Religioso (Agustín Barrios Mangoré) La Catedral, Allegro Solemne (Agustín Barrios Mangoré) Capricho Árabe (Francisco Tárrega) Adelita (Francisco Tárrega) Prelude, from Cello Suite No. 1 (J.S. Bach) Pavane for a Dead Princess (Maurice Ravel)
Purchasing a Guitar	How to Buy a Classical Guitar	Prelude No. 3 (Heitor Villa-Lobos)
Rasgueados	Practice Routines, Part 1 of 2	(No Musical Example)
Rasgueados	Rasgueados, Part 1 of 3	(No Musical Example)
Rasgueados	Rasgueados, Part 2 of 3	(No Musical Example)
Rasgueados	Rasgueados, Part 3 of 3	Fandanguillo, Rafaga, and Soleares (Joaquín Turina) Leyenda and Sevilla (Isaac Albéniz) The Millers Dance (Manuel de Falla) Popular and classical versions of Malagueña
Reading Music	Counting Out Loud—the Skill that Will Improve Your Guitar Playing More than Anything Else	Allegretto moderato, Op. 44, No. 4 (Fernando Sor) Prelude No. 4 (Heitor Villa-Lobos)
Reading Music	Sight Reading	Andante (Fernando Sor) Dixie (Daniel Decatur Emmett) America (Samuel A. Ward) When Irish Eyes are Smiling (Ernest Ball)
Reading Music	How to Read Harmonic Notation	Prelude No. 4 (Heitor Villa-Lobos) Testament d'Amelia (Miguel Llobet) Nocturnal, "Dreaming" (Benjamin Britten) Sonata, Op. 13 (Ludwig Van Beethoven) Fantaisie, Op. 6 (Fernando Sor) Nel Mezzo: Sonata (David Leisner) Omaggio (Manuel de Falla)
Reflex Practice	How to Use Reflex Practice to Master Fast, Difficult Passages Other than Scales	Study No. 2 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Lute Suite No. 1, BMV 996 (J.S. Bach) Bouree, from Lute Suite No. 1, BMV 996 (J.S. Bach) Variations on a Theme by Mozart, Op. 9 (Fernando Sor)
Reflex Practice	How to Use Reflex Bursts to Learn a Fast Scale	Capricho Árabe (Francisco Tárrega)
Repeats	Do I Play the Repeats in My Music?	Bouree, Bourree from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach)
Repertoire	How to Maintain Pieces in Your Repertoire	No musical examples.
Repertoire	Practice Routines, Part 2 of 2	(No Musical Example)
Repetition	Do I Play the Repeats in My Music?	Bouree, Bourree from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach)
Resonance	String Damping, Part 4	Progressive Lessons, Op. 31 No. 1 (Fernando Sor) Pavane (Luis Milán) Alman (Robert Johnson) Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach) Prelude, Fugue, and Allegro, BMV 998 (J.S. Bach) Allegro Spiritoso, Op. 1, No. 10 (Mauro Giuliani) Sarabande from Suite in D minor, HWV 437 (Georg Friederic Handel) Adelita (Francisco Tárrega) Gymnopedie No. 1 (Erik Satie) Allemande, from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach) Fugue, BWV 1000 (J.S. Bach) Study No. 2, in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)
Resonance	String Damping, Part 4	Progressive Lessons, Op. 31 No. 1 (Fernando Sor) Pavane (Luis Milán) Alman (Robert Johnson) Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach) Prelude, Fugue, and Allegro, BMV 998 (J.S. Bach) Allegro Spiritoso, Op. 1, No. 10 (Mauro Giuliani) Sarabande from Suite in D minor, HWV 437 (Georg Friederic Handel) Adelita (Francisco Tárrega) Gymnopedie No. 1 (Erik Satie) Allemande, from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach) Fugue, BWV 1000 (J.S. Bach) Study No. 2, in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)
Rest Stroke	Rest Stroke Follow Through	Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Lágrima (Francisco Tárrega) Capricho Árabe (Francisco Tárrega)
Rest Stroke Tone Quality	How to Produce a Beautiful Tone, Part 1	(No Musical Example)
Rest Stroke Tone Quality on the Bass Strings	How to Produce a Beautiful Tone, Part 3	(No Musical Example)
Rest Stroke Tone Quality Thumb on the Bass Strings	How to Produce a Beautiful Tone, Part 4	(No Musical Example)
Rests	String Damping, Part 4	Progressive Lessons, Op. 31 No. 1 (Fernando Sor) Pavane (Luis Milán) Alman (Robert Johnson) Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach) Prelude, Fugue, and Allegro, BMV 998 (J.S. Bach) Allegro Spiritoso, Op. 1, No. 10 (Mauro Giuliani) Sarabande from Suite in D minor, HWV 437 (Georg Friederic Handel) Adelita (Francisco Tárrega) Gymnopedie No. 1 (Erik Satie) Allemande, from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach) Fugue, BWV 1000 (J.S. Bach) Study No. 2, in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)
Rhythm	Counting Out Loud—the Skill that Will Improve Your Guitar Playing More than Anything Else	Allegretto moderato, Op. 44, No. 4 (Fernando Sor) Prelude No. 4 (Heitor Villa-Lobos)
Rhythm	Hemiola: Switching from 6/8 to 3/4 Meter	America, from West Side Story (Leonard Bernstein) arr. Jorge Morel Canarios (Gaspar Sanz) Vals Venezolano No. 3 (Antonio Lauro) Concierto de Aranjuez, first movement (Joaquín Rodrigo)
Rhythm	How to Count the Rhythms in Songs Written in Multiple Parts	Twenty-Four Very Easy Exercises, Op. 35 No. 1 (Fernando Sor) Twenty Four Progressive Lessons, Op. 31, No. 1 (Fernando Sor) Adelita (Francisco Tárrega) Capricho Árabe (Francisco Tárrega) Study No. 2 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Lute Suite No. 3, BWV 995 (J.S. Bach) Prelude from Lute Suite No. 3, BWV 995 (J.S. Bach)
Right Hand Fingernails	Fingernails	(No Musical Example)
Right Hand Tone Quality Free Stroke	How to Produce a Beautiful Tone, Part 2	(No Musical Example)
Right Hand Tone Quality on the Bass Strings	How to Produce a Beautiful Tone, Part 3	(No Musical Example)
Right Hand Tone Quality Rest Stroke	How to Produce a Beautiful Tone, Part 1	(No Musical Example)
Right Hand Tone Quality Thumb on Bass Strings	How to Produce a Beautiful Tone, Part 4	(No Musical Example)
Right-Hand Exercises	Arpeggio Exercises	El Abejorro (Emilio Pujol)
Right-Hand Finger Alternation	Right-Hand Finger Alternation	Bianco Fiore (Cesare Negri) Garrotin (Joaquín Turina) Gagliarda, Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti) Courante, from Lute Suite No. 1, BWV 996 (J.S. Bach) Fugue, from Sonata No. 1, BWV 1000 (J.S. Bach) Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach) Prelude No. 3 (Heitor Villa-Lobos) Concerto in D Major (Antonio Vivaldi) Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)
Right-Hand Fingering	How to Choose Right-Hand Fingerings, Part 1	Lesson 1 from Twenty-Four Progressive Lessons, Op 31, Book 1 (Fernando Sor) Lesson 2 from Twenty-Four Progressive Lessons, Op. 31, Book 1 (Fernando Sor) No. 1 from Twenty-Four Little Progressive Pieces, Op. 44 (Fernando Sor) No. 1 from Twenty-Four Very Easy Exercises, Op. 35, Book 1 (Fernando Sor) No. 10 from Introduction to the Study of the Guitar, Op. 60 (Fernando Sor) Study 3 from Twelve Studies, Op. 6 (Fernando Sor) No. 12 from Twenty-Four Very Easy Exercises, Op. 35, Book 1 (Fernando Sor) No. 13 from Twenty-Four Very Easy Exercises, Op. 35, Book 1 (Fernando Sor) No. 22 from Twenty-Four Very Easy Exercises, Op. 35, Book 2 (Fernando Sor) Afro-Cuban Lullaby (Arr. Jack Marshall) Study 5 from Twelve Studies, Op. 6 (Fernando Sor) Study No. 17 in Segovia's 20 Studies by Fernando Sor (Fernando Sor)
Right-Hand Fingering	How to Choose Right-Hand Fingerings, Part 2	Capricho Árabe (Francisco Tárrega) Study No. 3 in A major, Op. 60, No. 3 (Matteo Carcassi) Vals Venezolano, Venezuelan Waltz (Antonio Lauro) Study No. 17 in Segovia's 20 Studies by Fernando Sor (Fernando Sor) Sonata in A (Domenico Scarlatti) Study No. 6 in Andres Segovia's 20 Studies by Fernando Sor (Fernando Sor) Un Dia de Noviembre (Leo Brouwer) Alman (Robert Johnson) Tarantella (Sicilian Traditional) Study 1 from Introduction to the Study of the Guitar, Op. 60 (Fernando Sor) Exercise No. 13 from Twenty-Four Very Easy Exercises, Op. 35 (Fernando Sor)
Right-Hand Fingering	How to Choose Right-Hand Fingerings, Part 3	Study No. 14 from Andres Segovia's 20 Studies by Fernando Sor (Fernando Sor) Waltz in E, Op. 32, No. 2 (Fernando Sor) Variations on a Theme by Mozart, Op. 9 (Fernando Sor) Canarios (Gaspar Sanz) Sonatina, 3rd Movement (Federico Moreno Torroba) Prelude No. 3 (Heitor Villa-Lobos) Prelude No. 4 (Heitor Villa-Lobos) Sonatina, 1st Movement (Federico Moreno Torroba) Sonatina, 2nd Movement (Federico Moreno Torroba) Prelude, from Cello Suite No. 1 (J.S. Bach) Cello Suite No. 1 (J.S. Bach) Prelude No. 1 (Heitor Villa-Lobos)
Right-Hand Fingering, Anchor Technique	The Anchor Finger Technique	English Dance (Ferdinando Carulli) Study No. 7 in A minor, Op. 60, No. 7 (Matteo Carcassi) Study No. 2 in Segovia's 20 Studies for the Guitar Leyenda, Asturias (Isaac Albéniz) Saltarello (Vicenzo Galilei) Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach) Courante, from Lute Suite No. 1, BWV 996 (J.S. Bach) Bianco Fiore (Cesare Negri) Prelude No. 4 (Heitor Villa-Lobos) Rafaga (Joaquín Turina) Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti) Capricho Catalan (Isaac Albéniz) Concierto de Aranjuez (Joaquín Rodrigo) Capricho Árabe (Francisco Tárrega) Variations on a Theme by Mozart, Op. 9 (Fernando Sor) Spanish Dance No. 5 (Enrique Granados)
Right-Hand Harmonics	Natural, Right Hand, and Artificial Harmonics	Spanish Dance No. 5 (Enrique Granados) Fandanguillo (Joaquín Turina) Testament d'Amelia (Miguel Llobet) In Sorrow's Wake (Andrew York) Girl With the Flaxen Hair (Claude Debussy)
Right Hand Little Finger	The Right-Hand Little Finger, Part 1 of 2	Carioca (arr. Jorge Morel)
Right Hand Pinky Finger	The Right-Hand Little Finger, Part 1 of 2	Carioca (arr. Jorge Morel)
Right-Hand Planting Technique	Right-Hand Planting Technique for Arpeggios	(No Musical Example)
Right-Hand Position	Right-Hand Position	(No Musical Example)
Right Hand Position	The Right-Hand Little Finger, Part 1 of 2	Carioca (arr. Jorge Morel)
Right-Hand Position	String Damping, Part 2	Twinkle, Twinkle Little Star (Anonymous) Introduction to the Study of the Guitar, Op. 60 No. 5 (Fernando Sor) Romance, Romanza (Anonymous) Adelita (Francisco Tárrega) Gagliarda from Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti) Study No. 3 in A major, Op. 60, No. 3 (Matteo Carcassi)
Right-Hand Speed	Arpeggio Exercises	El Abejorro (Emilio Pujol)
Right-Hand String Crosses	Right-Hand String Crosses	(No Musical Example)
Right-hand technique	Pre-Planting At the Beginning of a Piece	Study No. 3 in A Major, Op. 60, No. 3 (Matteo Carcassi) Danza from Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti) Study No. 7 in A Minor, Op. 60, No. 7 (Matteo Carcassi) Adelita (Francisco Tárrega)
Right-hand Technique	Double Thumb Stroke	Leyenda (Isaac Albéniz) Prélude No. 1 (Heitor Villa-Lobos) Prélude No. 5 (Heitor Villa-Lobos) Etude No. 11 (Heitor Villa-Lobos) Cavatina (Stanley Myers) Gymnopédie No. 1 (Erik Satie) El Testament d'Amelia (Miguel Llobet) Prélude No. 2 (Heitor Villa-Lobos)
Right Hand Technique	The Right-Hand Little Finger, Part 1 of 2	Carioca (arr. Jorge Morel)
Right-hand Thumb	Double Thumb Stroke	Leyenda (Isaac Albéniz) Prélude No. 1 (Heitor Villa-Lobos) Prélude No. 5 (Heitor Villa-Lobos) Etude No. 11 (Heitor Villa-Lobos) Cavatina (Stanley Myers) Gymnopédie No. 1 (Erik Satie) El Testament d'Amelia (Miguel Llobet) Prélude No. 2 (Heitor Villa-Lobos)
Rolling a Chord	How to Roll a Chord Part 1 of 2	(No Musical Example)
Rolling a Chord	How to Roll a Chord Part 2 of 2	(No Musical Example)
Rubato	Should I Listen to Performances and Recordings of Other Guitarists	(No Musical Example)
Scales	Practice Routines, Part 1 of 2	(No Musical Example)
Scales	Scales, Part 2 of 2	(No Musical Example)
Scales	How to Use Reflex Bursts to Learn a Fast Scale	Capricho Árabe (Francisco Tárrega)
Scales	Scales, Part 1 of 2	Segovia Scales (Andres Segovia) Carlevaro Scales (Abel Carlevaro)
Scales	Fast Guitar Scales With "ami"	Variations on a Theme by Mozart, Op. 9 (Fernando Sor) Etude No. 7 (Heitor Villa-Lobos) Garrotin (Joaquín Turina) Concierto de Aranjuez (Joaquín Rodrigo) Passapie (Salavdor Bacarisse)
Scordatura	How to Stabilize Scordatura (open, non-standard) Tunings	(No Musical Example)
Shaping Your Fingernails	Fingernails	(No Musical Example)
Shifting	Shifting	Gymnopedie No. 1 (Erik Satie) Prelude No. 1 (Heitor Villa-Lobos) Romanza, Romance (Anonymous) Etude #1 (Heitor Villa-Lobos)
Sight Reading	Practice Routines, Part 2 of 2	(No Musical Example)
Sight Reading	Sight Reading	Andante (Fernando Sor) Dixie (Daniel Decatur Emmett) America (Samuel A. Ward) When Irish Eyes are Smiling (Ernest Ball)
Singing	Know What You Are Playing—Sing!	Romance, Romanza (Anonymous) Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti) Adelita (Francisco Tárrega) Vals Venezolano, Venezuelan Waltz No. 3 (Antonio Lauro) Lute Suite No. 1, BWV 996 (J.S. Bach) Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach)
Sitting Position	Doug's Rule of Life #17	(No Musical Example)
Sitting Position	Put An End To Your Guitar's Lap Dance Now	(No Musical Example)
Slur Exercises	Practice Routines, Part 1 of 2	(No Musical Example)
Slurred Ornaments	Cross-String Ornaments, part 1 of 3	(No Musical Example)
Slurred Ornaments	Cross-String Ornaments, part 2 of 3	(No Musical Example)
Slurred Ornaments	Cross-String Ornaments, part 3 of 3	Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach) La Maja de Goya (Enrique Granados) Leyenda, Asturias (Isaac Albéniz)
Slurs	The Best Exercise You Can Practice for the Left Hand, Part 1 of 2	(No Musical Example)
Slurs	The Best Exercise You Can Practice for the Left Hand, Part 2 of 2	(No Musical Example)
Slurs	Slurs	Etude (Study) No. 1 (Heitor Villa-Lobos) Capricho Árabe (Francisco Tárrega) Variations on a Theme by Mozart (Fernando Sor) Saltarello (Vincenzo Galilei) Concierto de Aranjuez (Joaquín Rodrigo) Minuet in C (Fernando Sor) Garrotin (Joaquín Turina) Soleares (Joaquín Turina)
Smooth Chord Changes	Connecting a Single Melody Note to a Strummed or Arpeggiated Chord	Prelude No. 3 (Heitor Villa-Lobos) Capricho Árabe (Francisco Tárrega) Maria (Francisco Tárrega)
Snare Drum Effect	Snare Drum Effect, Part 1 of 2	Gran Jota de Concierto (Francisco Tárrega) Jota Sobre Motivos Populares (Francisco Tárrega)
Snare Drum Effect	Snare Drum Effect, Part 2 of 2	Gran Jota de Concierto (Francisco Tárrega) Jota Sobre Motivos Populares (Francisco Tárrega) Mosaico Española, Fantasia Española (Jorge Morel) Fantasia Española, Mosaico Española (Jorge Morel) Fantasy for Solo Guitar, Op. 107 (Malcolm Arnold) Tin Soldiers (Playing Soldiers) from Prince's Toys (Nikita Koshkin) Prince's Toys (Nikita Koshkin) Playing Soldiers (Tin Soldiers) from Prince's Toys (Nikita Koshkin) A Procession Winding Around Me (Jeffrey Van) Beat! Beat! Drums! from A Procession Winding Around Me (Jeffrey Van) El Berimbau (Baden Powell) arranged by Cacho Tirao Sitio de Zaragoza (Sabicas)
Speed	Arpeggio Exercises	El Abejorro (Emilio Pujol)
Speed	Fast Guitar Scales With "ami"	Variations on a Theme by Mozart, Op. 9 (Fernando Sor) Etude No. 7 (Heitor Villa-Lobos) Garrotin (Joaquín Turina) Concierto de Aranjuez (Joaquín Rodrigo) Passapie (Salavdor Bacarisse)
Speed Bursts	How to Use Reflex Practice to Master Fast, Difficult Passages Other than Scales	Study No. 2 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Lute Suite No. 1, BMV 996 (J.S. Bach) Bouree, from Lute Suite No. 1, BMV 996 (J.S. Bach) Variations on a Theme by Mozart, Op. 9 (Fernando Sor)
Speed Bursts	How to Use Reflex Bursts to Learn a Fast Scale	Capricho Árabe (Francisco Tárrega)
Spider Exercise	The Spider Exercise	(No Musical Example)
Staccato	How to Play Staccato, Part 1 of 3	(No Musical Example)
Staccato	How to Play Staccato, Part 2 of 3	Segovia Scales (Andres Segovia) Leyenda, Asturias (Isaac Albéniz) In the Hall of the Mountain King (Edvard Grieg) from Peer Gynt, Suite No. 1 , Op. 46 Study No. 9 in Segovia’s Twenty Studies by Fernando Sor (Fernando Sor)
Staccato	How to Play Staccato, Part 3 of 3	Rossiniana No. 4, Opus 122 (Mauro Giuliani) Grand Solo, Op. 14 (Fernando Sor) Malagueña, Op. 165 No. 3 (Isaac Albéniz) Presto of the Prelude from Lute Suite No. 1, BMV 996 (J.S. Bach) Mr. Bojangles (Jerry Jeff Walker)
Stage Fright	Adrenaline and Altered Perception of Tempo	(No Musical Example)
Stage Fright	How to Control Stage Fright (Performance Anxiety)	(No Musical Examples)
Step Practice	Step Practice	Cavatina (Stanley Myers) Puff the Magic Dragon (Peter Yarrow and Leonard Lipton)
Stretching Exercises	Practice Routines, Part 1 of 2	(No Musical Example)
Stretching Exercises	Stretching Exercises	(No Musical Example)
String Crossings	How to Play Staccato, Part 2 of 3	Segovia Scales (Andres Segovia) Leyenda, Asturias (Isaac Albéniz) In the Hall of the Mountain King (Edvard Grieg) from Peer Gynt, Suite No. 1 , Op. 46 Study No. 9 in Segovia’s Twenty Studies by Fernando Sor (Fernando Sor)
String Damping	String Damping, Part 1	Twinkle, Twinkle Little Star (Anonymous) Introduction to the Study of the Guitar, Op. 60, No. 5 (Fernando Sor) Romance, Romanza (Anonymous) Adelita (Francisco Tárrega)
String Damping	String Damping, Part 2	Twinkle, Twinkle Little Star (Anonymous) Introduction to the Study of the Guitar, Op. 60 No. 5 (Fernando Sor) Romance, Romanza (Anonymous) Adelita (Francisco Tárrega) Gagliarda from Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti) Study No. 3 in A major, Op. 60, No. 3 (Matteo Carcassi)
String Damping	String Damping, Part 3	Twinkle, Twinkle Little Star (Anonymous) Gymnopedie No. 1 (Erik Satie) Grand Overture (Mauro Giuliani) Lesson No. 3 from Twenty-Four Progressive Lessons, Book 1 Op. 31 (Fernando Sor) Prelude in D minor (originally C minor), BWV 999 (J.S. Bach) Prelude No. 1 (Heitor Villa-Lobos) Allemande (John Dowland) Alman (Robert Johnson) Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach)
String Damping	String Damping, Part 4	Progressive Lessons, Op. 31 No. 1 (Fernando Sor) Pavane (Luis Milán) Alman (Robert Johnson) Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach) Prelude, Fugue, and Allegro, BMV 998 (J.S. Bach) Allegro Spiritoso, Op. 1, No. 10 (Mauro Giuliani) Sarabande from Suite in D minor, HWV 437 (Georg Friederic Handel) Adelita (Francisco Tárrega) Gymnopedie No. 1 (Erik Satie) Allemande, from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach) Fugue, BWV 1000 (J.S. Bach) Study No. 2, in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)
String Noise	How to Use Hinge Bars as Guide Fingers	Romanza, Romance (Anonymous) Etude No. 1 (Heitor Villa-Lobos) Recuerdos de la Alhambra (Francisco Tárrega) Jesu Joy of Man's Desiring (J.S. Bach) Choros No. 1 (Heitor Villa-Lobos)
String Noise	String Squeaks and Romeo and Juliet	Leyenda, Asturias (Isaac Albéniz) Prelude No. 4 (Heitor Villa-Lobos) Prelude No. 1 (Heitor Villa-Lobos)
String Squeaks	String Squeaks and Romeo and Juliet	Leyenda, Asturias (Isaac Albéniz) Prelude No. 4 (Heitor Villa-Lobos) Prelude No. 1 (Heitor Villa-Lobos)
Strings Crosses	Right-Hand String Crosses	(No Musical Example)
Swing	Hemiola: Switching from 6/8 to 3/4 Meter	America, from West Side Story (Leonard Bernstein) arr. Jorge Morel Canarios (Gaspar Sanz) Vals Venezolano No. 3 (Antonio Lauro) Concierto de Aranjuez, first movement (Joaquín Rodrigo)
Tambor	The Tambor Percussion Effect	(No Musical Example)
Tambor	Snare Drum Effect, Part 1 of 2	Gran Jota de Concierto (Francisco Tárrega) Jota Sobre Motivos Populares (Francisco Tárrega)
Tambor	Snare Drum Effect, Part 2 of 2	Gran Jota de Concierto (Francisco Tárrega) Jota Sobre Motivos Populares (Francisco Tárrega) Mosaico Española, Fantasia Española (Jorge Morel) Fantasia Española, Mosaico Española (Jorge Morel) Fantasy for Solo Guitar, Op. 107 (Malcolm Arnold) Tin Soldiers (Playing Soldiers) from Prince's Toys (Nikita Koshkin) Prince's Toys (Nikita Koshkin) Playing Soldiers (Tin Soldiers) from Prince's Toys (Nikita Koshkin) A Procession Winding Around Me (Jeffrey Van) Beat! Beat! Drums! from A Procession Winding Around Me (Jeffrey Van) El Berimbau (Baden Powell) arranged by Cacho Tirao Sitio de Zaragoza (Sabicas)
Technique	Scales, Part 2 of 2	(No Musical Example)
Technique	Scales, Part 1 of 2	Segovia Scales (Andres Segovia) Carlevaro Scales (Abel Carlevaro)
Tempo	Adrenaline and Altered Perception of Tempo	(No Musical Example)
Tempo	Doug's Rule of Life #17	(No Musical Example)
Tempo	Metronome Tempo Markings	(No Musical Example)
Tempo	Should I Listen to Performances and Recordings of Other Guitarists	(No Musical Example)
Tendinitus	Hand Contrast Baths	(No Musical Example)
Tendinitus	Injury Prevention for the Classical Guitarist	(No Musical Example)
Testing a Guitar	How to Buy a Classical Guitar	(No Musical Example)
Thin Fingernails	Fingernail Health	(No Musical Example)
Thumb	Double Thumb Stroke	Leyenda (Isaac Albéniz) Prélude No. 1 (Heitor Villa-Lobos) Prélude No. 5 (Heitor Villa-Lobos) Etude No. 11 (Heitor Villa-Lobos) Cavatina (Stanley Myers) Gymnopédie No. 1 (Erik Satie) El Testament d'Amelia (Miguel Llobet) Prélude No. 2 (Heitor Villa-Lobos)
Thumb, Left-Hand	Left-Hand Thumb	Leyenda, Asturias (Isaac Albéniz) Mazurka Apassionata (Agustín Barrios Mangoré) Spanish Dance No. 5 (Enrique Grandos)
Thumb, Right Hand	Double Thumb Stroke	Leyenda (Isaac Albéniz) Prélude No. 1 (Heitor Villa-Lobos) Prélude No. 5 (Heitor Villa-Lobos) Etude No. 11 (Heitor Villa-Lobos) Cavatina (Stanley Myers) Gymnopédie No. 1 (Erik Satie) El Testament d'Amelia (Miguel Llobet) Prélude No. 2 (Heitor Villa-Lobos)
Thumb, Right-Hand Thumbnail	How to Find the Best Length and Shape for Your Thumbnail	(No Musical Example)
Timbre	Tone Color, Part 1	(No Musical Example)
Timbre	Tone Color, Part 2	Spanish Dance No. 5 (Enrique Granados) La Frescobalda (Girolamo Frescobaldi) Leyenda, Asturias (Isaac Albéniz) Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti)
Timbre	Tone Color, Part 3	Leyenda, Asturias (Isaac Albéniz) Lágrima (Francisco Tárrega) Fandanguillo (Joaquín Turina) Method for the Spanish Guitar (Fernando Sor) First Call (Anonymous)
Tip Joints	Learn to Collapse Your Left-Hand Fingertip Joints	Prelude No. 2 (Heitor Villa-Lobos) La Catedral, "Preludio Saudade" (Agustín Barrios Mangoré) La Catedral, Andante Religioso (Agustín Barrios Mangoré) La Catedral, Allegro Solemne (Agustín Barrios Mangoré) Capricho Árabe (Francisco Tárrega) Adelita (Francisco Tárrega) Prelude, from Cello Suite No. 1 (J.S. Bach) Pavane for a Dead Princess (Maurice Ravel)
Tips of the Fingers	Playing On the Tips of the Fingers	Leyenda, Asturias (Isaac Albéniz) Study No. 7 in A minor, op. 60, no. 7 (Matteo Carcassi) Prelude No. 1 (Heitor Villa-Lobos) Alman (Robert Johnson) Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach)
Tone Color	Should I Listen to Performances and Recordings of Other Guitarists	(No Musical Example)
Tone Color	Tone Color, Part 1	(No Musical Example)
Tone Color	Tone Color, Part 2	Spanish Dance No. 5 (Enrique Granados) La Frescobalda (Girolamo Frescobaldi) Leyenda, Asturias (Isaac Albéniz) Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti)
Tone Color	Tone Color, Part 3	Leyenda, Asturias (Isaac Albéniz) Lágrima (Francisco Tárrega) Fandanguillo (Joaquín Turina) Method for the Spanish Guitar (Fernando Sor) First Call (Anonymous)
Tone Quality Fingers on the Bass Strings	How to Produce a Beautiful Tone, Part 1	(No Musical Example)
Tone Quality Free Strokee	How to Produce a Beautiful Tone, Part 2	(No Musical Example)
Tone Quality Fingers on the Bass Strings	How to Produce a Beautiful Tone, Part 3	(No Musical Example)
Tone Quality Thumb on the Bass Strings	How to Produce a Beautiful Tone, Part 4	(No Musical Example)
Transcriptions	Transcriptions and Arrangements	(No Musical Example)
Tremolo	How to Master the Tremolo, Part 1 of 4	(No Musical Example)
Tremolo	How to Master the Tremolo, Part 2 of 4	(No Musical Example)
Tremolo	How to Master the Tremolo, Part 4 of 4	(No Musical Example)
Tuning	How to Stabilize Scordatura (open, non-standard) Tunings	(No Musical Example)
Tuning	How to Tune Your Guitar	(No Musical Example)
Vary the Repeats	Do I Play the Repeats in My Music?	Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach) Lute Suite No. 1, BWV 996 (J.S. Bach)
Vibrato	Vibrato, Part 1	(No Musical Example)
Vibrato	Vibrato, Part 2	Twinkle, Twinkle (Anonymous) Romanza, Romance (Avilla-Lobos) Lágrima (Francisco Tárrega) Adelita (Francisco Tárrega) Choros No. 1 (Heitor Villa-Lobos)
Voices	How to Count the Rhythms in Songs Written in Multiple Parts	Twenty-Four Very Easy Exercises, Op. 35 No. 1 (Fernando Sor) Twenty Four Progressive Lessons, Op. 31, No. 1 (Fernando Sor) Adelita (Francisco Tárrega) Capricho Árabe (Francisco Tárrega) Study No. 2 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor) Lute Suite No. 3, BWV 995 (J.S. Bach) Prelude from Lute Suite No. 3, BWV 995 (J.S. Bach)
Voices	The Old Kleenex Trick	Lute Suite No. 1, BWV 996 (J.S. Bach) Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach)

INDEX TO TECHNIQUE TIPS Listed Alphabetically by Topic Discussed

INDEX TO TECHNIQUE TIPS
Listed Alphabetically by Topic Discussed