Douglas Niedt

INDEX TO TECHNIQUE TIPS
Listed Alphabetically by Musical Examples Discussed

NAME AND COMPOSER OF MUSICAL EXAMPLE

TITLE OF ARTICLE

Adelita (Francisco Tárrega)

How to Count the Rhythms in Songs Written in Multiple Parts

Adelita (Francisco Tárrega)

Know What You Are Playing—Sing!

Adelita (Francisco Tárrega)

Pre-Planting At the Beginning of a Piece

Adelita (Francisco Tárrega)

String Damping, Part 1

Adelita (Francisco Tárrega)

String Damping, Part 2

Adelita (Francisco Tárrega)

String Damping, Part 4

Adelita (Francisco Tárrega)

Vibrato, Part 2

Afro-Cuban Lullaby (Arr. Jack Marshall)

How to Choose Right-Hand Fingerings, Part 1

Allegretto moderato, Op. 44, No. 4 (Fernando Sor)

Counting Out Loud—the Skill that Will Improve Your Guitar Playing More than Anything Else

Allegro Spiritoso, Op. 1, No. 10 (Mauro Giuliani)

String Damping, Part 4

Allemande (John Dowland)

String Damping, Part 3

Allemande from Lute Suite No. 1, BWV 996 (J.S. Bach)

Practicing in Altered Rhythms

Allemande, from Lute Suite No. 1, BWV 996 (J.S. Bach)

String Damping, Part 4

Alman (Robert Johnson)

How to Choose Right-Hand Fingerings, Part 2

Alman (Robert Johnson)

Playing On the Tips of the Fingers

Alman (Robert Johnson)

String Damping, Part 3

Alman (Robert Johnson)

String Damping, Part 4

America (Samuel A. Ward)

Sight Reading

Andante (Fernando Sor)

Sight Reading

Andante Op. 241, No. 5, (Ferdinando Carulli)

Top Ten Nasty Habits #2, Pushing the Little Finger Around

A Procession Winding Around Me (Jeffrey Van)

Snare Drum Effect, Part 2 of 2

Beat! Beat! Drums! from A Procession Winding Around Me (Jeffrey Van)

Snare Drum Effect, Part 2 of 2

Bianco Fiore (Cesare Negri)

Interval and Chord Balance Part 2 of 4

Bianco Fiore (Cesare Negri)

Right-Hand Finger Alternation

Bianco Fiore (Cesare Negri)

Specialty Bars Part 1: Hinge Bars

Bianco Fiore (Cesare Negri)

The Anchor Finger Technique

Bouree, from Lute Suite No. 1, BMV 996 (J.S. Bach)

How to Use Reflex Practice to Master Fast, Difficult Passages Other than Scales

Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach)

Cross-String Ornaments, part 3 of 3

Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach)

Do I Play the Repeats in My Music?

Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach)

Know What You Are Playing—Sing!

Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach)

Playing On the Tips of the Fingers

Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach)

String Damping, Part 3

Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach)

The Anchor Finger Technique

Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach)

The Old Kleenex Trick

Canarios (Gaspar Sanz)

How to Choose Right-Hand Fingerings, Part 3

Capriccio Espagnol, "Scena e canto gitano" (Nicolai Rimsky-Korsakov)

Pizzicato

Capricho Árabe (Francisco Tárrega)

Connecting a Single Melody Note to a Strummed or Arpeggiated Chord

Capricho Árabe (Francisco Tárrega)

How to Choose Right-Hand Fingerings, Part 2

Capricho Árabe (Francisco Tárrega)

How to Count the Rhythms in Songs Written in Multiple Parts

Capricho Árabe (Francisco Tárrega)

How to Play Loud on the Guitar

Capricho Árabe (Francisco Tárrega)

How to Use Reflex Bursts to Learn a Fast Scale

Capricho Árabe (Francisco Tárrega)

Rest Stroke Follow Through

Capricho Árabe (Francisco Tárrega)

Slurs

Capricho Árabe (Francisco Tárrega)

Specialty Bars Part 3: Partial Bars

Capricho Árabe (Francisco Tárrega)

The Anchor Finger Technique

Carioca (arr. Jorge Morel)

The Right-Hand Little Finger, Part 1 of 2

Carlevaro Scales (Abel Carlevaro)

Scales, Part 1 of 2

Cavatina (Stanley Myers)

Step Practice

Cello Suite No. 1 (J.S. Bach)

How to Choose Right-Hand Fingerings, Part 3

Choros No. 1 (Heitor Villa-Lobos)

How to Use Hinge Bars as Guide Fingers

Choros No. 1 (Heitor Villa-Lobos)

Vibrato, Part 2

Concerto in D Major (Antonio Vivaldi)

Right-Hand Finger Alternation

Concierto de Aranjuez (Joaquín Rodrigo)

Fast Guitar Scales With "ami"

Concierto de Aranjuez (Joaquín Rodrigo)

Nailing Harmonics Past the 19th Fret

Concierto de Aranjuez (Joaquín Rodrigo)

Playing in High Positions

Concierto de Aranjuez (Joaquín Rodrigo)

Slurs

Concierto de Aranjuez (Joaquín Rodrigo)

The Anchor Finger Technique

Córdoba (Isaac Albéniz)

Specialty Bars Part 3: Partial Bars

Courante, Lute Suite No. 1, BWV 996 (J.S. Bach)

Right-Hand Finger Alternation

Courante, Lute Suite No. 1, BWV 996 (J.S. Bach)

Specialty Bars Part 3: Partial Bars

Courante, Lute Suite No. 1, BWV 996 (J.S. Bach)

The Anchor Finger Technique

Danza from Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti)

Pre-Planting At the Beginning of a Piece

Danza from Six Lute Pieces of the Renaisssance (trans. Oscar Chilesotti)

How to Play Loud on the Guitar

Danza Pomposa (Alexandre Tansman)

Specialty Bars Part 3: Partial Bars

Dixie (Daniel Decatur Emmett)

Sight Reading

Down In The Valley (Anonymous)

Interval and Chord Balance Part 1 of 4

El Abejorro (Emilio Pujol)

Arpeggio Exercises

El Berimbau (Baden Powell) arranged by Cacho Tirao

Snare Drum Effect, Part 2 of 2

English Dance (Ferdinando Carulli)

The Anchor Finger Technique

English Suite (John Duarte)

Specialty Bars Part 3: Partial Bars

Etude No. 1 (Heitor Villa-Lobos)

How to Use Hinge Bars as Guide Fingers

Etude No. 1 (Heitor Villa-Lobos)

Mark Up Your Music

Etude No. 1 (Heitor Villa-Lobos)

Shifting

Etude No. 1 (Heitor Villa-Lobos)

Slurs

Etude No. 1 (Heitor Villa-Lobos)

Top Ten Nasty Habits #1, Allowing Left-Hand Fingers to "Help" a Bar

Etude No. 7 (Heitor Villa-Lobos)

Fast Guitar Scales With "ami"

Etude No. 7 (Heitor Villa-Lobos)

Interval and Chord Balance Part 3 of 4

Exercise No. 13 from Twenty-Four Very Easy Exercises, Op. 35 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 2

Fandanguillo (Joaquín Turina)

How to Play Loud on the Guitar

Fandanguillo (Joaquín Turina)

Natural, Right Hand, and Artificial Harmonics

Fandanguillo (Joaquín Turina)

Specialty Bars Part 1: Hinge Bars

Fandanguillo (Joaquín Turina)

Tone Color, Part 3

Fandanguillo, Ráfaga, and Soleares (Joaquín Turina)

Rasgueados, Part 3 of 3

Fantaisie, Op. 6 (Fernando Sor)

How to Read Harmonic Notation

Fantasia Española, Mosaico Española (Jorge Morel)

Snare Drum Effect, Part 2 of 2

Fantasy for Solo Guitar, Op. 107 (Malcolm Arnold)

Snare Drum Effect, Part 2 of 2

First Call (Anonymous)

Tone Color, Part 3

Fugue, BWV 1000 (J.S. Bach)

String Damping, Part 4

Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach)

Interval and Chord Balance Part 1 of 4

Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach)

Mark Up Your Music

Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach)

Right-Hand Finger Alternation

Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach)

String Damping, Part 4

Fugue, from Sonata No. 1, BWV 1000 (J.S. Bach)

Right-Hand Finger Alternation

Gagliarda from Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti)

String Damping, Part 2

Gagliarda, Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti)

Right-Hand Finger Alternation

Garrotín (Joaquín Turina)

Fast Guitar Scales With "ami"

Garrotín (Joaquín Turina)

Right-Hand Finger Alternation

Garrotín (Joaquín Turina)

Slurs

Girl With the Flaxen Hair (Claude Debussy)

Natural, Right Hand, and Artificial Harmonics

Gran Jota de Concierto (Francisco Tárrega)

Snare Drum Effect, Part 1 of 2

Gran Jota de Concierto (Francisco Tárrega)

Snare Drum Effect, Part 2 of 2

Granada (Isaac Albéniz)

Interval and Chord Balance Part 3 of 4

Grand Overture (Mauro Giuliani)

Specialty Bars Part 2: Cross-Fret Bars

Grand Overture (Mauro Giuliani)

String Damping, Part 3

Grand Solo, Op. 14 (Fernando Sor)

How to Play Staccato, Part 3 of 3

Gymnopedie No. 1 (Erik Satie)

Playing in High Positions

Gymnopedie No. 1 (Erik Satie)

Shifting

Gymnopedie No. 1 (Erik Satie)

String Damping, Part 3

Gymnopedie No. 1 (Erik Satie)

String Damping, Part 4

(I Can't Get No) Satisfaction (Mick Jagger, Keith Richards)

Pizzicato

(I Can't Get No) Satisfaction (Mick Jagger, Keith Richards)

Specialty Bars Part 3: Partial Bars

In Sorrow's Wake (Andrew York)

Natural, Right Hand, and Artificial Harmonics

In the Hall of the Mountain King (Edvard Grieg) from Peer Gynt, Suite No. 1 , Op. 46

How to Play Staccato, Part 2 of 3

Introduction to the Study of the Guitar, Op. 60 No. 5 (Fernando Sor)

String Damping, Part 1

Introduction to the Study of the Guitar, Op. 60 No. 5 (Fernando Sor)

String Damping, Part 2

Jesu Joy of Man's Desiring

Transcriptions and Arrangements

Jesu Joy of Man's Desiring (J.S. Bach)

How to Use Hinge Bars as Guide Fingers

Jesu Joy of Man's Desiring (J.S. Bach)

Interval and Chord Balance Part 2 of 4

Jota Sobre Motivos Populares (Francisco Tárrega)

Snare Drum Effect, Part 1 of 2

Jota Sobre Motivos Populares (Francisco Tárrega)

Snare Drum Effect, Part 2 of 2

La Frescobalda (Girolamo Frescobaldi)

Tone Color, Part 2

La Maja de Goya (Enrique Granados)

Cross-String Ornaments, part 3 of 3

La Maja de Goya (Enrique Granados)

Pizzicato

Lágrima (Francisco Tárrega)

Mark Up Your Music

Lágrima (Francisco Tárrega)

Rest Stroke Follow Through

Lágrima (Francisco Tárrega)

Tone Color, Part 3

Lágrima (Francisco Tárrega)

Vibrato, Part 2

Lesson 1 from Twenty-Four Progressive Lessons, Op 31, Book 1 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 1

Lesson No. 3 from Twenty-Four Progressive Lessons, Book 1 Op. 31 (Fernando Sor)

String Damping, Part 3

Leyenda and Sevilla (Isaac Albéniz)

Rasgueados, Part 3 of 3

Leyenda, Asturias (Isaac Albéniz)

Cross-String Ornaments, part 3 of 3

Leyenda, Asturias (Isaac Albéniz)

Guide Fingers

Leyenda, Asturias (Isaac Albéniz)

How to Play Staccato, Part 2 of 3

Leyenda, Asturias (Isaac Albéniz)

Left-Hand Thumb

Leyenda, Asturias (Isaac Albéniz)

Pizzicato

Leyenda, Asturias (Isaac Albéniz)

Playing On the Tips of the Fingers

Leyenda, Asturias (Isaac Albéniz)

Specialty Bars Part 3: Partial Bars

Leyenda, Asturias (Isaac Albéniz)

String Squeaks and Romeo and Juliet

Leyenda, Asturias (Isaac Albéniz)

The Anchor Finger Technique

Leyenda, Asturias (Isaac Albéniz)

Tone Color, Part 2

Leyenda, Asturias (Isaac Albéniz)

Tone Color, Part 3

Lute Suite No. 1, BMV 996 (J.S. Bach)

How to Play Staccato, Part 3 of 3

Lute Suite No. 1, BMV 996 (J.S. Bach)

How to Use Reflex Practice to Master Fast, Difficult Passages Other than Scales

Lute Suite No. 1, BWV 996 (J.S. Bach)

Cross-String Ornaments, part 3 of 3

Lute Suite No. 1, BWV 996 (J.S. Bach)

Do I Play the Repeats in My Music?

Lute Suite No. 1, BWV 996 (J.S. Bach)

Know What You Are Playing—Sing!

Lute Suite No. 1, BWV 996 (J.S. Bach)

Playing On the Tips of the Fingers

Lute Suite No. 1, BWV 996 (J.S. Bach)

Practicing in Altered Rhythms

Lute Suite No. 1, BWV 996 (J.S. Bach)

Right-Hand Finger Alternation

Lute Suite No. 1, BWV 996 (J.S. Bach)

Specialty Bars Part 1: Hinge Bars

Lute Suite No. 1, BWV 996 (J.S. Bach)

String Damping, Part 3

Lute Suite No. 1, BWV 996 (J.S. Bach)

String Damping, Part 4

Lute Suite No. 1, BWV 996 (J.S. Bach)

The Old Kleenex Trick

Lute Suite No. 3, BWV 995 (J.S. Bach)

How to Count the Rhythms in Songs Written in Multiple Parts

Malagueña

Rasgueados, Part 3 of 3

Malagueña, Op. 165 No. 3 (Isaac Albéniz)

How to Play Staccato, Part 3 of 3

Maria (Francisco Tárrega)

Connecting a Single Melody Note to a Strummed or Arpeggiated Chord

Maria (Francisco Tárrega)

Pizzicato

Marieta (Francisco Tárrega)

Specialty Bars Part 3: Partial Bars

Mazurka (Alexandre Tansman)

Playing in High Positions

Mazurka Apassionata (Agustín Barrios Mangoré)

Left-Hand Thumb

Method for the Spanish Guitar (Fernando Sor)

Tone Color, Part 3

Miller's Dance (Manuel de Falla)

Rasgueados, Part 3 of 3

Minuet in C (Fernando Sor)

Slurs

Misionera (Fernando Bustamente)

Pizzicato

Moderato, Op. 35, No. 2 (Fernando Sor)

Top Ten Nasty Habits #2, Pushing the Little Finger Around

Mosaico Española, Fantasia Española (Jorge Morel)

Snare Drum Effect, Part 2 of 2

Mr. Bojangles (Jerry Jeff Walker)

How to Play Staccato, Part 3 of 3

Nel Mezzo: Sonata (David Leisner)

How to Read Harmonic Notation

No. 1 from Twenty-Four Little Progressive Pieces, Op. 44 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 1

No. 10 from Introduction to the Study of the Guitar, Op. 60 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 1

No. 12 from Twenty-Four Very Easy Exercises, Op. 35, Book 1 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 1

No. 13 from Twenty-Four Very Easy Exercises, Op. 35, Book 1 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 1

No. 22 from Twenty-Four Very Easy Exercises, Op. 35, Book 2 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 1

Nocturnal (Benjamin Britten)

Playing in High Positions

Nocturnal, "Dreaming" (Benjamin Britten)

How to Read Harmonic Notation

Ode to Joy from Symphony #9 (Ludwig Van Beethoven)

Chord Changes

Omaggio (Manuel de Falla)

How to Read Harmonic Notation

Passapie (Salvador Bacarisse)

Fast Guitar Scales With "ami"

Pavanas (Gaspar Sanz)

Interval and Chord Balance Part 2 of 4

Pavane for a Dead Princess (Maurice Ravel)

Interval and Chord Balance Part 1 of 4

Pavane No. 2 (Luis Milán)

Interval and Chord Balance Part 1 of 4

Pavane No. 3 (Luis Milán)

Specialty Bars Part 1: Hinge Bars

Pavane No. 3 (Luis Milán)

String Damping, Part 4

Pavane No. 6 (Luis Milán)

Interval and Chord Balance Part 1 of 4

Pavane No. 6 (Luis Milán)

Interval and Chord Balance Part 4 of 4

Pipeline (Brian Carman, Bob Spickard)

Pizzicato

Playing Soldiers (Tin Soldiers) from Prince's Toys (Nikita Koshkin)

Snare Drum Effect, Part 2 of 2

Prelude from Lute Suite No. 1, BWV 996 (J.S. Bach)

Specialty Bars Part 1: Hinge Bars

Prelude from Lute Suite No. 3, BWV 995 (J.S. Bach)

How to Count the Rhythms in Songs Written in Multiple Parts

Prelude in D minor (originally C minor), BWV 999 (J.S. Bach)

String Damping, Part 3

Prelude No. 1 (Heitor Villa-Lobos)

How to Choose Right-Hand Fingerings, Part 3

Prelude No. 1 (Heitor Villa-Lobos)

Interval and Chord Balance Part 3 of 4

Prelude No. 1 (Heitor Villa-Lobos)

Playing On the Tips of the Fingers

Prelude No. 1 (Heitor Villa-Lobos)

Shifting

Prelude No. 1 (Heitor Villa-Lobos)

String Damping, Part 3

Prelude No. 1 (Heitor Villa-Lobos)

String Squeaks and Romeo and Juliet

Prelude No. 1 (Manuel Ponce)

Interval and Chord Balance Part 3 of 4

Prelude No. 2 (Manuel Ponce)

Interval and Chord Balance Part 2 of 4

Prelude No. 3 (Heitor Villa-Lobos)

Connecting a Single Melody Note to a Strummed or Arpeggiated Chord

Prelude No. 3 (Heitor Villa-Lobos)

Guide Fingers

Prelude No. 3 (Heitor Villa-Lobos)

How to Buy a Classical Guitar

Prelude No. 3 (Heitor Villa-Lobos)

How to Choose Right-Hand Fingerings, Part 3

Prelude No. 3 (Heitor Villa-Lobos)

Right-Hand Finger Alternation

Prelude No. 3 (Heitor Villa-Lobos)

Vibrato, Part 2

Prelude No. 4 (Heitor Villa-Lobos)

Counting Out Loud—the Skill that Will Improve Your Guitar Playing More than Anything Else

Prelude No. 4 (Heitor Villa-Lobos)

How to Choose Right-Hand Fingerings, Part 3

Prelude No. 4 (Heitor Villa-Lobos)

How to Read Harmonic Notation

Prelude No. 4 (Heitor Villa-Lobos)

Interval and Chord Balance Part 1 of 4

Prelude No. 4 (Heitor Villa-Lobos)

String Squeaks and Romeo and Juliet

Prelude No. 4 (Heitor Villa-Lobos)

The Anchor Finger Technique

Prelude No. 6 (Manuel Ponce)

Interval and Chord Balance Part 2 of 4

Prelude, from Cello Suite No. 1 (J.S. Bach)

How to Choose Right-Hand Fingerings, Part 3

Prelude, Fugue, and Allegro, BMV 998 (J.S. Bach)

String Damping, Part 4

Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach)

Mark Up Your Music

Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach)

Right-Hand Finger Alternation

Presto of the Prelude, from Lute Suite No. 1, BMV 996 (J.S. Bach)

How to Play Staccato, Part 3 of 3

Prince's Toys (Nikita Koshkin)

Snare Drum Effect, Part 2 of 2

Progressive Lessons, Op. 31 No. 1 (Fernando Sor)

String Damping, Part 4

Puff the Magic Dragon (Peter Yarrow and Leonard Lipton)

Step Practice

Ráfaga (Joaquín Turina)

The Anchor Finger Technique

Recuerdos de la Alhambra (Francisco Tárrega)

How to Use Hinge Bars as Guide Fingers

Recuerdos de la Alhambra (Francisco Tárrega)

Specialty Bars Part 2: Cross-Fret Bars

Recuerdos de la Alhambra (Francisco Tárrega)

Specialty Bars Part 3: Partial Bars

Romance, Romanza (Anonymous)

Know What You Are Playing—Sing!

Romance, Romanza (Anonymous)

String Damping, Part 1

Romanza, Romance (Anonymous)

Guide Fingers

Romanza, Romance (Anonymous)

How to Play Loud on the Guitar

Romanza, Romance (Anonymous)

How to Use Hinge Bars as Guide Fingers

Romanza, Romance (Anonymous)

Shifting

Romanza, Romance (Anonymous)

Top Ten Nasty Habits #1, Allowing Left-Hand Fingers to "Help" a Bar

Romanza, Romance (Anonymous)

Vibrato, Part 2

Rossiniana No. 1 Op. 119 (Mauro Giuliani)

Mark Up Your Music

Rossiniana No. 1, op. 119 (Mauro Giuliani)

Specialty Bars Part 2: Cross-Fret Bars

Rossiniana No. 1, op. 119 (Mauro Giuliani)

Specialty Bars Part 3: Partial Bars

Rossiniana No. 4, Op. 122 (Mauro Giuliani)

How to Play Staccato, Part 3 of 3

Saltarello (Vicenzo Galilei)

Interval and Chord Balance Part 2 of 4

Saltarello (Vicenzo Galilei)

Slurs

Saltarello (Vicenzo Galilei)

The Anchor Finger Technique

Sarabande from Suite in D minor, HWV 437 (Georg Friederic Handel)

String Damping, Part 4

Segovia Scales (Andres Segovia)

How to Play Staccato, Part 2 of 3

Segovia Scales (Andres Segovia)

Scales, Part 1 of 2

Sitio de Zaragoza (Sabicas)

Snare Drum Effect, Part 2 of 2

Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti)

Know What You Are Playing—Sing!

Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti)

Right-Hand Finger Alternation

Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti)

Tone Color, Part 2

Six Lute Pieces of the Renaissance (trans. Oscar Chilsotti)

How to Play Loud on the Guitar

Soleares (Joaquín Turina)

Slurs

Somewhere Over the Rainbow (Harold Arlen)

Cascading Harmonics for Classical Guitarists

Sonata in A (Domenico Scarlatti)

How to Choose Right-Hand Fingerings, Part 2

Sonata in C Major, op. 15

Specialty Bars Part 1: Hinge Bars

Sonata, Op. 13 (Ludwig Van Beethoven)

How to Read Harmonic Notation

Sonatina, 1st Movement (Federico Moreno Torroba)

How to Choose Right-Hand Fingerings, Part 3

Sonatina, 2nd Movement (Federico Moreno Torroba)

Name of How to Choose Right-Hand Fingerings, Part 3

Sonatina, 3rd Movement (Federico Moreno Torroba)

How to Choose Right-Hand Fingerings, Part 3

Spanish Dance No. 5 (Enrique Granados)

Left-Hand Thumb

Spanish Dance No. 5 (Enrique Granados)

Natural, Right Hand, and Artificial Harmonics

Spanish Dance No. 5 (Enrique Granados)

The Anchor Finger Technique

Spanish Dance No. 5 (Enrique Granados)

Tone Color, Part 2

Spanish Dance No. 5 (Enrique Granados)

Top Ten Nasty Habits #1, Allowing Left-Hand Fingers to "Help" a Bar

Study 1 from Introduction to the Study of the Guitar, Op. 60 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 2

Study 3 from Twelve Studies, Op. 6 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 1

Study 5 from Twelve Studies, Op. 6 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 1

Study in A minor (Dionisio Aguado)

Guide Fingers

Study No. 14 from Andres Segovia's 20 Studies by Fernando Sor (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 3

Study No. 17 in Segovia's 20 Studies by Fernando Sor (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 1

Study No. 17 in Segovia's 20 Studies by Fernando Sor (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 2

Study No. 2 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)

Guide Fingers

Study No. 2 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)

How to Count the Rhythms in Songs Written in Multiple Parts

Study No. 2 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)

How to Use Reflex Practice to Master Fast, Difficult Passages Other than Scales

Study No. 2 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)

String Damping, Part 4

Study No. 2 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)

The Anchor Finger Technique

Study No. 3 in A Major, Op. 60, No. 3 (Matteo Carcassi)

Guide Fingers

Study No. 3 in A Major, Op. 60, No. 3 (Matteo Carcassi)

How to Choose Right-Hand Fingerings, Part 2

Study No. 3 in A Major, Op. 60, No. 3 (Matteo Carcassi)

Pre-Planting At the Beginning of a Piece

Study No. 3 in A Major, Op. 60, No. 3 (Matteo Carcassi)

Specialty Bars Part 3: Partial Bars

Study No. 3 in A Major, Op. 60, No. 3 (Matteo Carcassi)

String Damping, Part 2

Study No. 3 in A Major, Op. 60, No. 3 (Matteo Carcassi)

Top Ten Nasty Habits #1, Allowing Left-Hand Fingers to "Help" a Bar

Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)

Guide Fingers

Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)

How to Count the Rhythms in Songs Written in Multiple Parts

Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)

Know What You Are Playing—Sing!

Musical Example

Name of Article

Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)

Rest Stroke Follow Through

Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)

Right-Hand Finger Alternation

Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)

Top Ten Nasty Habits #1, Allowing Left-Hand Fingers to "Help" a Bar

Study No. 6 in Andres Segovia's 20 Studies by Fernando Sor (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 2

Study No. 7 in A minor, op. 60, no. 7 (Matteo Carcassi)

Playing On the Tips of the Fingers

Study No. 7 in A minor, op. 60, no. 7 (Matteo Carcassi)

Pre-Planting At the Beginning of a Piece

Study No. 7 in A minor, op. 60, no. 7 (Matteo Carcassi)

The Anchor Finger Technique

Study No. 9 in Segovia’s Twenty Studies by Fernando Sor (Fernando Sor)

How to Play Staccato, Part 2 of 3

Tarantella (Sicilian Traditional)

How to Choose Right-Hand Fingerings, Part 2

Testament d'Amelia (Miguel Llobet)

How to Read Harmonic Notation

Testament d'Amelia (Miguel Llobet)

Natural, Right Hand, and Artificial Harmonics

Tin Soldiers (Playing Soldiers) from Prince's Toys (Nikita Koshkin)

Snare Drum Effect, Part 2 of 2

Twenty Four Progressive Lessons, Op. 31, No. 1 (Fernando Sor)

How to Count the Rhythms in Songs Written in Multiple Parts

Twenty-Four Very Easy Exercises, Op. 35 No. 1 (Fernando Sor)

How to Count the Rhythms in Songs Written in Multiple Parts

Twinkle, Twinkle Little Star (Anonymous)

Vibrato, Part 2

Twinkle, Twinkle Little Star (Anonymous)

String Damping, Part 1

Twinkle, Twinkle Little Star (Anonymous)

String Damping, Part 2

Twinkle, Twinkle Little Star (Anonymous)

String Damping, Part 3

Un Dia de Noviembre (Leo Brouwer)

How to Choose Right-Hand Fingerings, Part 2

Vals Venezolano, Venezuelan Waltz (Antonio Lauro)

How to Choose Right-Hand Fingerings, Part 2

Vals Venezolano, Venezuelan Waltz No. 3 (Antonio Lauro)

Know What You Are Playing—Sing!

Vals Venezolano, Venezuelan Waltz No. 3 (Antonio Lauro)

Practicing in Altered Rhythms

Variations on a Theme by Mozart, Op. 9 (Fernando Sor)

Fast Guitar Scales With "ami"

Variations on a Theme by Mozart, Op. 9 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 3

Variations on a Theme by Mozart, Op. 9 (Fernando Sor)

How to Use Reflex Practice to Master Fast, Difficult Passages Other than Scales

Variations on a Theme by Mozart, Op. 9 (Fernando Sor)

Practicing in Altered Rhythms

Variations on a Theme by Mozart, Op. 9 (Fernando Sor)

Slurs

Variations on a Theme by Mozart, Op. 9 (Fernando Sor)

The Anchor Finger Technique

Waltz (Ferdinando Carulli)

Guide Fingers

Waltz in E Major Op. 32 No. 2 (Fernando Sor)

Pizzicato

Musical Example

Name of Article

Waltz in E, Op. 32, No. 2 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 3

When Irish Eyes are Smiling (Ernest Ball)

Sight Reading