Douglas Niedt

INDEX TO TECHNIQUE TIPS
Listed Alphabetically by Composer of Musical Example
Provided in Technique Tip

COMPOSER

MUSICAL EXAMPLE MENTIONED IN ARTICLE

TITLE OF ARTICLE

Aguado, Dionisio

Study in A minor (Dionisio Aguado)

Guide Fingers

Albéniz, Isaac

Capricho Catalan (Isaac Albéniz)

The Anchor Finger Technique

Albéniz, Isaac

Córdoba (Isaac Albéniz)

Specialty Bars Part 3: Partial Bars

Albéniz, Isaac

Granada (Isaac Albéniz)

Interval and Chord Balance Part 3 of 4

Albéniz, Isaac

Leyenda (Isaac Albéniz)

Rasgueados, Part 3 of 3

Albéniz, Isaac

Leyenda, Asturias (Isaac Albéniz)

Cross-String Ornaments, part 3 of 3

Albéniz, Isaac

Leyenda, Asturias (Isaac Albéniz)

Guide Fingers

Albéniz, Isaac

Leyenda, Asturias (Isaac Albéniz)

How to Play Staccato, Part 2 of 3

Albéniz, Isaac

Leyenda, Asturias (Isaac Albéniz)

How to Reach Difficult Stretches and Nasty Chords

Albéniz, Isaac

Leyenda, Asturias (Isaac Albéniz)

Left-Hand Thumb

Albéniz, Isaac

Leyenda, Asturias (Isaac Albéniz)

Pizzicato

Albéniz, Isaac

Leyenda, Asturias (Isaac Albéniz)

Playing On the Tips of the Fingers

Albéniz, Isaac

Leyenda, Asturias (Isaac Albéniz)

Specialty Bars Part 3: Partial Bars

Albéniz, Isaac

Leyenda, Asturias (Isaac Albéniz)

String Squeaks and Romeo and Juliet

Albéniz, Isaac

Leyenda, Asturias (Isaac Albéniz)

Tone Color, Part 2

Albéniz, Isaac

Musical Example

Tone Color, Part 3

Albéniz, Isaac

Malagueña, Op. 165 No. 3 (Isaac Albéniz)

How to Play Staccato, Part 3 of 3

Albéniz, Isaac

Sevilla (Isaac Albéniz)

Rasgueados, Part 3 of 3

Anonymous

Down In The Valley (Anonymous)

Interval and Chord Balance Part 1 of 4

Anonymous

First Call (Anonymous)

Tone Color, Part 3

Anonymous

Malagueña

Rasgueados, Part 3 of 3

Anonymous

Musical Example

How to Play Loud on the Guitar

Anonymous

Romance, Romanza (Anonymous)

How to Reach Difficult Stretches and Nasty Chords

Anonymous

Romance, Romanza (Anonymous)

Know What You Are Playing—Sing!

Anonymous

Romance, Romanza (Anonymous)

String Damping, Part 1

Anonymous

Romance, Romanza (Anonymous)

String Damping, Part 2

Anonymous

Romanza, Romance (Anonymous)

Guide Fingers

Anonymous

Romanza, Romance (Anonymous)

How to Use Hinge Bars as Guide Fingers

Anonymous

Romanza, Romance (Anonymous)

Shifting

Anonymous

Romanza, Romance (Anonymous)

Top Ten Nasty Habits #1, Allowing Left-Hand Fingers to "Help" a Bar

Anonymous

Romanza, Romance (Anonymous)

Vibrato, Part 2

Anonymous

Twinkle, Twinkle Little Star

Vibrato, Part 2

Anonymous

Twinkle, Twinkle Little Star (Anonymous)

String Damping, Part 1

Anonymous

Twinkle, Twinkle Little Star (Anonymous)

String Damping, Part 2

Anonymous

Twinkle, Twinkle Little Star (Anonymous)

String Damping, Part 3

Arlen, Harold

Somewhere Over the Rainbow (Harold Arlen)

Cascading Harmonics for Classical Guitarists

Arnold, Malcolm

Fantasy for Solo Guitar, Op. 107 (Malcolm Arnold)

Snare Drum Effect, Part 2 of 2

Bacarisse, Salvador

Passapie (Salvador Bacarisse)

Fast Guitar Scales With "ami"

Bach, J.S.

Allemande, from Lute Suite No. 1, BWV 996 (J.S. Bach)

Practicing in Altered Rhythms

Bach, J.S.

Allemande, from Lute Suite No. 1, BWV 996 (J.S. Bach)

String Damping, Part 4

Bach, J.S.

Bouree, from Lute Suite No. 1, BMV 996 (J.S. Bach)

How to Use Reflex Practice to Master Fast, Difficult Passages Other than Scales

Bach, J.S.

Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach)

Cross-String Ornaments, part 3 of 3

Bach, J.S.

Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach)

Do I Play the Repeats in My Music?

Bach, J.S.

Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach)

Know What You Are Playing—Sing!

Bach, J.S.

Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach)

Playing On the Tips of the Fingers

Bach, J.S.

Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach)

String Damping, Part 3

Bach, J.S.

Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach)

The Anchor Finger Technique

Bach, J.S.

Bouree, from Lute Suite No. 1, BWV 996 (J.S. Bach)

The Old Kleenex Trick

Bach, J.S.

Cello Suite No. 1 (J.S. Bach)

How to Choose Right-Hand Fingerings, Part 3

Bach, J.S.

Courante, Lute Suite No. 1, BWV 996 (J.S. Bach)

Right-Hand Finger Alternation

Bach, J.S.

Courante, Lute Suite No. 1, BWV 996 (J.S. Bach)

Specialty Bars Part 3: Partial Bars

Bach, J.S.

Courante, Lute Suite No. 1, BWV 996 (J.S. Bach)

The Anchor Finger Technique

Bach, J.S.

Fugue, BWV 1000 (J.S. Bach)

String Damping, Part 4

Bach, J.S.

Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach)

How to Reach Difficult Stretches and Nasty Chords

Bach, J.S.

Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach)

Interval and Chord Balance Part 1 of 4

Bach, J.S.

Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach)

Mark Up Your Music

Bach, J.S.

Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach)

Right-Hand Finger Alternation

Bach, J.S.

Fugue, from Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach)

String Damping, Part 4

Bach, J.S.

Fugue, from Sonata No. 1, BWV 1000 (J.S. Bach)

Right-Hand Finger Alternation

Bach, J.S.

Jesu Joy of Man's Desiring

Transcriptions and Arrangements

Bach, J.S.

Jesu Joy of Man's Desiring (J.S. Bach)

How to Use Hinge Bars as Guide Fingers

Bach, J.S.

Jesu Joy of Man's Desiring (J.S. Bach)

Interval and Chord Balance Part 2 of 4

Bach, J.S.

Lute Suite No. 1, BMV 996 (J.S. Bach)

How to Play Staccato, Part 3 of 3

Bach, J.S.

Lute Suite No. 1, BMV 996 (J.S. Bach)

How to Use Reflex Practice to Master Fast, Difficult Passages Other than Scales

Bach, J.S.

Lute Suite No. 1, BWV 996 (J.S. Bach)

Cross-String Ornaments, part 3 of 3

Bach, J.S.

Lute Suite No. 1, BWV 996 (J.S. Bach)

Do I Play the Repeats in My Music?

Bach, J.S.

Lute Suite No. 1, BWV 996 (J.S. Bach)

Know What You Are Playing—Sing!

Bach, J.S.

Lute Suite No. 1, BWV 996 (J.S. Bach)

Playing On the Tips of the Fingers

Bach, J.S.

Lute Suite No. 1, BWV 996 (J.S. Bach)

Practicing in Altered Rhythms

Bach, J.S.

Lute Suite No. 1, BWV 996 (J.S. Bach)

Right-Hand Finger Alternation

Bach, J.S.

Lute Suite No. 1, BWV 996 (J.S. Bach)

Specialty Bars Part 1: Hinge Bars

Bach, J.S.

Lute Suite No. 1, BWV 996 (J.S. Bach)

String Damping, Part 3

Bach, J.S.

Lute Suite No. 1, BWV 996 (J.S. Bach)

The Old Kleenex Trick

Bach, J.S.

Lute Suite No. 3, BWV 995 (J.S. Bach)

How to Count the Rhythms in Songs Written in Multiple Parts

Bach, J.S.

Prelude from Lute Suite No. 1, BWV 996 (J.S. Bach

Specialty Bars Part 1: Hinge Bars

Bach, J.S.

Prelude from Lute Suite No. 3, BWV 995 (J.S. Bach)

How to Count the Rhythms in Songs Written in Multiple Parts

Bach, J.S.

Prelude in D minor (originally C minor), BWV 999 (J.S. Bach)

How to Reach Difficult Stretches and Nasty Chords

Bach, J.S.

Prelude in D minor (originally C minor), BWV 999 (J.S. Bach)

String Damping, Part 3

Bach, J.S.

Prelude, from Cello Suite No. 1 (J.S. Bach)

How to Choose Right-Hand Fingerings, Part 3

Bach, J.S.

Prelude, Fugue, and Allegro, BMV 998 (J.S. Bach)

String Damping, Part 4

Bach, J.S.

Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach)

Mark Up Your Music

Bach, J.S.

Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach)

Right-Hand Finger Alternation

Bach, J.S.

Prelude, Fugue, and Allegro, BWV 998 (J.S. Bach)

Right-Hand Finger Alternation

Bach, J.S.

Presto of the Prelude from Lute Suite No. 1, BMV 996 (J.S. Bach)

How to Play Staccato, Part 3 of 3

Ball, Ernest

When Irish Eyes are Smiling (Ernest Ball)

Sight Reading

Barrios, Agustín

La Catedral, "Allegro Solemne" (Agustín Barrios Mangoré)

How to Reach Difficult Stretches and Nasty Chords

Barrios, Agustín

Mazurka Apassionata (Agustín Barrios Mangoré)

How to Reach Difficult Stretches and Nasty Chords

Barrios, Agustín

Mazurka Apassionata (Agustín Barrios Mangoré)

Left-Hand Thumb

Beethoven, Ludwig Van

Ode to Joy from Symphony #9 (Ludwig Van Beethoven)

Chord Changes

Beethoven, Ludwig Van

Sonata, Op. 13 (Ludwig Van Beethoven) arr. Francisco Tárrega

How to Read Harmonic Notation

Britten, Benjamin

Nocturnal (Benjamin Britten)

Playing in High Positions

Britten, Benjamin

Nocturnal, "Dreaming" (Benjamin Britten)

How to Read Harmonic Notation

Brouwer, Leo

Un Dia de Noviembre (Leo Brouwer)

How to Choose Right-Hand Fingerings, Part 2

Bustamente, Fernando

Misionera (Fernando Bustamente)

Pizzicato

Carcassi, Matteo

Study No. 3 in A Major, Op. 60, No. 3 (Matteo Carcassi)

Guide Fingers

Carcassi, Matteo

Study No. 3 in A Major, Op. 60, No. 3 (Matteo Carcassi)

How to Choose Right-Hand Fingerings, Part 2

Carcassi, Matteo

Study No. 3 in A Major, Op. 60, No. 3 (Matteo Carcassi)

Guide Fingers

Carcassi, Matteo

Study No. 3 in A Major, Op. 60, No. 3 (Matteo Carcassi)

How to Reach Difficult Stretches and Nasty Chords

Carcassi, Matteo

Study No. 3 in A Major, Op. 60, No. 3 (Matteo Carcassi)

Pre-Planting At the Beginning of a Piece

Carcassi, Matteo

Study No. 3 in A Major, Op. 60, No. 3 (Matteo Carcassi)

Specialty Bars Part 3: Partial Bars

Carcassi, Matteo

Study No. 3 in A Major, Op. 60, No. 3 (Matteo Carcassi)

String Damping, Part 2

Carcassi, Matteo

Study No. 3 in A Major, Op. 60, No. 3 (Matteo Carcassi)

Top Ten Nasty Habits #1, Allowing Left-Hand Fingers to "Help" a Bar

Carcassi, Matteo

Study No. 7 in A minor, op. 60, no. 7 (Matteo Carcassi)

Playing On the Tips of the Fingers

Carcassi, Matteo

Study No. 7 in A minor, op. 60, no. 7 (Matteo Carcassi)

Pre-Planting At the Beginning of a Piece

Carcassi, Matteo

Study No. 7 in A minor, op. 60, no. 7 (Matteo Carcassi)

The Anchor Finger Technique

Carlevaro, Abel

Carlevaro Scales (Abel Carlevaro)

Scales, Part 1 of 2

Carman, Brian and Spickard, Bob

Pipeline (Brian Carman, Bob Spickard)

Pizzicato

Carulli, Ferdinando

Andante Op. 241, No. 5, (Ferdinando Carulli)

Top Ten Nasty Habits #2, Pushing the Little Finger Around

Carulli, Ferdinando

English Dance (Ferdinando Carulli)

The Anchor Finger Technique

Carulli, Ferdinando

Waltz (Ferdinando Carulli)

Guide Fingers

Chilesotti, trans. Oscar

Danza from Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti)

Pre-Planting At the Beginning of a Piece

Chilesotti, trans. Oscar

Danza from Six Lute Pieces of the Renaisssance (trans. Oscar Chilesotti)

How to Play Loud on the Guitar

Chilesotti, trans. Oscar

Gagliarda from Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti)

Right-Hand Finger Alternation

Chilesotti, trans. Oscar

Gagliarda from Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti)

String Damping, Part 2

Chilesotti, trans. Oscar

Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti)

Know What You Are Playing—Sing!

Chilesotti, trans. Oscar

Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti)

The Anchor Finger Technique

Chilesotti, trans. Oscar

Six Lute Pieces of the Renaissance (trans. Oscar Chilesotti)

Tone Color, Part 2

Chilesotti, trans. Oscar

Six Lute Pieces of the Renaissance (trans. Oscar Chilsotti)

How to Play Loud on the Guitar

Chilesotti, trans. Oscar

Six Lute Pieces of the Renaissance (trans. Oscar Chilsotti)

Right-Hand Finger Alternation

Debussy, Claude

Girl With the Flaxen Hair (Claude Debussy)

Natural, Right Hand, and Artificial Harmonics

Dowland, John

Allemande (John Dowland)

String Damping, Part 3

Duarte, John

English Suite (John Duarte)

Specialty Bars Part 3: Partial Bars

Emmett, Daniel Decatur

Dixie (Daniel Decatur Emmett)

Sight Reading

Falla, Manuel de

Omaggio (Manuel de Falla)

How to Read Harmonic Notation

Falla, Manuel de

The Millers Dance (Manuel de Falla)

How to Reach Difficult Stretches and Nasty Chords

Falla, Manuel de

The Millers Dance (Manuel de Falla)

Rasgueados, Part 3 of 3

Frescobaldi, Girolamo

La Frescobalda (Girolamo Frescobaldi)

Tone Color, Part 2

Galilei, Vicenzo

Saltarello (Vicenzo Galilei)

Interval and Chord Balance Part 2 of 4

Galilei, Vicenzo

Saltarello (Vicenzo Galilei)

The Anchor Finger Technique

Galilei, Vincenzo

Saltarello (Vicenzo Galilei)

Slurs

Giuliani, Mauro

Allegro Spiritoso, Op. 1, No. 10 (Mauro Giuliani)

String Damping, Part 4

Giuliani, Mauro

Grand Overture (Mauro Giuliani)

Specialty Bars Part 2: Cross-Fret Bars

Giuliani, Mauro

Grand Overture (Mauro Giuliani)

String Damping, Part 3

Giuliani, Mauro

Rossiniana No. 1 Op. 119 (Mauro Giuliani)

Mark Up Your Music

Giuliani, Mauro

Rossiniana No. 1, Op. 119 (Mauro Giuliani)

Specialty Bars Part 2: Cross-Fret Bars

Giuliani, Mauro

Rossiniana No. 1, Op. 119 (Mauro Giuliani)

Specialty Bars Part 3: Partial Bars

Giuliani, Mauro

Rossiniana No. 4, Op. 122 (Mauro Giuliani)

How to Play Staccato, Part 3 of 3

Giuliani, Mauro

Sonata in C Major, op. 15

Specialty Bars Part 1: Hinge Bars

Granados, Enrique

La Maja de Goya (Enrique Granados)

Cross-String Ornaments, part 3 of 3

Granados, Enrique

La Maja de Goya (Enrique Granados)

Pizzicato

Granados, Enrique

Spanish Dance No. 5 (Enrique Granados)

Natural, Right Hand, and Artificial Harmonics

Granados, Enrique

Spanish Dance No. 5 (Enrique Granados)

The Anchor Finger Technique

Granados, Enrique

Spanish Dance No. 5 (Enrique Granados)

Left-Hand Thumb

Granados, Enrique

Spanish Dance No. 5 (Enrique Granados)

Tone Color, Part 2

Granados, Enrique

Spanish Dance No. 5 (Enrique Granados)

Top Ten Nasty Habits #1, Allowing Left-Hand Fingers to "Help" a Bar

Grieg, Edvard

In the Hall of the Mountain King (Edvard Grieg) from Peer Gynt, Suite No. 1 , Op. 46

How to Play Staccato, Part 2 of 3

Handel, Georg Friederic

Sarabande from Suite in D minor, HWV 437 (Georg Friederic Handel)

String Damping, Part 4

Jagger, Mick and Richards, Keith

(I Can't Get No) Satisfaction (Mick Jagger, Keith Richards)

Pizzicato

Jagger, Mick and Richards, Keith

(I Can't Get No) Satisfaction (Mick Jagger, Keith Richards)

Specialty Bars Part 3: Partial Bars

Johnson, Robert

Alman (Robert Johnson)

How to Choose Right-Hand Fingerings, Part 2

Johnson, Robert

Alman (Robert Johnson)

Playing On the Tips of the Fingers

Johnson, Robert

Alman (Robert Johnson)

String Damping, Part 3

Johnson, Robert

Alman (Robert Johnson)

String Damping, Part 4

Koshkin, Nikita

Tin Soldiers (Playing Soldiers) from Prince's Toys (Nikita Koshkin)

Snare Drum Effect, Part 2 of 2

Koshkin, Nikita

Prince's Toys (Nikita Koshkin)

Snare Drum Effect, Part 2 of 2

Koshkin, Nikita

Playing Soldiers (Tin Soldiers) from Prince's Toys (Nikita Koshkin)

Snare Drum Effect, Part 2 of 2

Lauro, Antonio

Vals Venezolano, Venezuelan Waltz (Antonio Lauro)

How to Choose Right-Hand Fingerings, Part 2

Lauro, Antonio

Vals Venezolano, Venezuelan Waltz No. 3 (Antonio Lauro)

How to Reach Difficult Stretches and Nasty Chords

Lauro, Antonio

Vals Venezolano, Venezuelan Waltz No. 3 (Antonio Lauro)

Know What You Are Playing—Sing!

Lauro, Antonio

Vals Venezolano, Venezuelan Waltz No. 3 (Antonio Lauro)

Practicing in Altered Rhythms

Lauro, Antonio

Vals Venezolano, Venezuelan Waltz No. 4 (Antonio Lauro)

How to Reach Difficult Stretches and Nasty Chords

Leisner, David

Nel Mezzo: Sonata (David Leisner)

How to Read Harmonic Notation

Llobet, Miguel

Testament d'Amelia (Miguel Llobet)

How to Read Harmonic Notation

Llobet, Miguel

Testament d'Amelia (Miguel Llobet)

Natural, Right Hand, and Artificial Harmonics

Mangoré, Agustín Barrios

La Catedral, "Allegro Solemne" (Agustín Barrios Mangoré)

How to Reach Difficult Stretches and Nasty Chords

Mangoré, Agustín Barrios

Mazurka Apassionata (Agustín Barrios Mangoré)

Left-Hand Thumb

Marshall, arr. Jack

Afro-Cuban Lullaby (Arr. Jack Marshall)

How to Choose Right-Hand Fingerings, Part 1

Marshall, arr. Jack

Afro-Cuban Lullaby (Arr. Jack Marshall)

How to Reach Difficult Stretches and Nasty Chords

Milan, Luis

Pavane No. 2 (Luis Milán)

Interval and Chord Balance Part 1 of 4

Milan, Luis

Pavane No. 3 (Luis Milán)

Specialty Bars Part 1: Hinge Bars

Milan, Luis

Pavane No. 6 (Luis Milán)

Interval and Chord Balance Part 1 of 4

Milán, Luis

Pavane No. 3 (Luis Milán)

String Damping, Part 4

Morel, Jorge

Carioca (arr. Jorge Morel)

The Right-Hand LIttle Finger, Part 1 of 2

Morel, Jorge

Fantasia Española, Mosaico Española (Jorge Morel)

Snare Drum Effect, Part 2 of 2

Morel, Jorge

Mosaico Española, Fantasia Española (Jorge Morel)

Snare Drum Effect, Part 2 of 2

Myers, Stanley

Cavatina (Stanley Myers)

Step Practice

Negri, Cesare

Bianco Fiore (Cesare Negri)

Interval and Chord Balance Part 2 of 4

Negri, Cesare

Bianco Fiore (Cesare Negri)

Right-Hand Finger Alternation

Negri, Cesare

Bianco Fiore (Cesare Negri)

Specialty Bars Part 1: Hinge Bars

Negri, Cesare

Bianco Fiore (Cesare Negri)

The Anchor Finger Technique

Ponce, Manuel

Prelude No. 1 (Manuel Ponce)

Interval and Chord Balance Part 3 of 4

Ponce, Manuel

Prelude No. 2 (Manuel Ponce)

Interval and Chord Balance Part 2 of 4

Ponce, Manuel

Prelude No. 6 (Manuel Ponce)

Interval and Chord Balance Part 2 of 4

Powell, Baden

El Berimbau (Baden Powell) arranged by Cacho Tirao

Snare Drum Effect, Part 2 of 2

Pujol, Emilio

El Abejorro (Emilio Pujol)

Arpeggio Exercises

Ravel, Maurice

Pavane for a Dead Princess (Maurice Ravel)

Interval and Chord Balance Part 1 of 4

Ravel, Maurice

Pavane for a Dead Princess (Maurice Ravel)

How to Reach Difficult Stretches and Nasty Chords

Rimsky-Korsakov, Nicolai

Capriccio Espagnol, "Scena e canto gitano" (Nicolai Rimsky-Korsakov)

Pizzicato

Rodrigo, Joaquin

Concierto de Aranjuez (Joaquín Rodrigo)

Fast Guitar Scales With "ami"

Rodrigo, Joaquin

Concierto de Aranjuez (Joaquín Rodrigo)

Nailing Harmonics Past the 19th Fret

Rodrigo, Joaquin

Concierto de Aranjuez (Joaquín Rodrigo)

Playing in High Positions

Rodrigo, Joaquin

Concierto de Aranjuez (Joaquín Rodrigo)

Slurs

Rodrigo, Joaquin

Concierto de Aranjuez (Joaquín Rodrigo)

The Anchor Finger Technique

Sabicas

Sitio de Zaragoza (Sabicas)

Snare Drum Effect, Part 2 of 2

Sanz, Gaspar

Canarios (Gaspar Sanz)

How to Choose Right-Hand Fingerings, Part 3

Sanz, Gaspar

Pavanas (Gaspar Sanz)

Interval and Chord Balance Part 2 of 4

Satie, Erik

Gymnopedie No. 1 (Erik Satie)

Playing in High Positions

Satie, Erik

Gymnopedie No. 1 (Erik Satie)

Shifting

Satie, Erik

Gymnopedie No. 1 (Erik Satie)

String Damping, Part 3

Satie, Erik

Gymnopedie No. 1 (Erik Satie)

String Damping, Part 4

Scarlatti, Domenico

Sonata in A (Domenico Scarlatti)

How to Choose Right-Hand Fingerings, Part 2

Segovia, Andrés

Segovia Scales (Andrés Segovia)

How to Play Staccato, Part 2 of 3

Segovia, Andrés

Segovia Scales (Andrés Segovia)

Scales, Part 1 of 2

Sicilian Traditional

Tarantella (Sicilian Traditional)

How to Choose Right-Hand Fingerings, Part 2

Sor, Fernando

Allegretto moderato, Op. 44, No. 4 (Fernando Sor)

Counting Out Loud—the Skill that Will Improve Your Guitar Playing More than Anything Else

Sor, Fernando

Andante (Fernando Sor)

Sight Reading

Sor, Fernando

Exercise No. 13 from Twenty-Four Very Easy Exercises, Op. 35 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 2

Sor, Fernando

Fantaisie, Op. 6 (Fernando Sor)

How to Read Harmonic Notation

Sor, Fernando

Grand Solo, Op. 14 (Fernando Sor)

How to Play Staccato, Part 3 of 3

Sor, Fernando

Introduction to the Study of the Guitar, Op. 60 No. 5 (Fernando Sor)

String Damping, Part 1

Sor, Fernando

Lesson 1 from Twenty-Four Progressive Lessons, Op 31, Book 1 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 1

Sor, Fernando

Lesson 2 from Twenty-Four Progressive Lessons, Op. 31, Book 1 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 1

Sor, Fernando

Lesson No. 3 from Twenty-Four Progressive Lessons, Book 1 Op. 31 (Fernando Sor)

String Damping, Part 3

Sor, Fernando

Method for the Spanish Guitar (Fernando Sor)

Tone Color, Part 3

Sor, Fernando

Minuet in C (Fernando Sor)

Slurs

Sor, Fernando

Moderato, Op. 35, No. 2 (Fernando Sor)

Top Ten Nasty Habits #2, Pushing the Little Finger Around

Sor, Fernando

No. 1 from Twenty-Four Little Progressive Pieces, Op. 44 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 1

Sor, Fernando

No. 1 from Twenty-Four Very Easy Exercises, Op. 35, Book 1 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 1

Sor, Fernando

No. 10 from Introduction to the Study of the Guitar, Op. 60 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 1

Sor, Fernando

No. 12 from Twenty-Four Very Easy Exercises, Op. 35, Book 1 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 1

Sor, Fernando

No. 13 from Twenty-Four Very Easy Exercises, Op. 35, Book 1 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 1

Sor, Fernando

No. 22 from Twenty-Four Very Easy Exercises, Op. 35, Book 2 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 1

Sor, Fernando

Progressive Lessons, Op. 31 No. 1 (Fernando Sor)

String Damping, Part 4

Sor, Fernando

Study 1 from Introduction to the Study of the Guitar, Op. 60 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 2

Sor, Fernando

Study 3 from Twelve Studies, Op. 6 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 1

Sor, Fernando

Study 5 from Twelve Studies, Op. 6 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 1

Sor, Fernando

Study No. 2 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)

Guide Fingers

Sor, Fernando

Study No. 2 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)

How to Count the Rhythms in Songs Written in Multiple Parts

Sor, Fernando

Study No. 2 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)

How to Use Reflex Practice to Master Fast, Difficult Passages Other than Scales

Sor, Fernando

Study No. 2 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)

String Damping, Part 4

Sor, Fernando

Study No. 2 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)

The Anchor Finger Technique

Sor, Fernando

Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)

Guide Fingers

Sor, Fernando

Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)

How to Count the Rhythms in Songs Written in Multiple Parts

Sor, Fernando

Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)

Know What You Are Playing—Sing!

Sor, Fernando

Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)

Rest Stroke Follow Through

Sor, Fernando

Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)

Right-Hand Finger Alternation

Sor, Fernando

Study No. 5 in Segovia's 20 Studies for the Guitar by Fernando Sor (Fernando Sor)

Top Ten Nasty Habits #1, Allowing Left-Hand Fingers to "Help" a Bar

Sor, Fernando

Study No. 6 in Andres Segovia's 20 Studies by Fernando Sor (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 2

Sor, Fernando

Study No. 8 from Andres Segovia's 20 Studies, Op. 31, No. 16 by Fernando Sor (Fernando Sor)

How to Reach Difficult Stretches and Nasty Chords

Sor, Fernando

Study No. 9 in Segovia’s Twenty Studies by Fernando Sor (Fernando Sor)

How to Play Staccato, Part 2 of 3

Sor, Fernando

Study No. 14 from Andres Segovia's 20 Studies by Fernando Sor (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 3

Sor, Fernando

Study No. 16 from Andres Segovia's 20 Studies, Op. 29, No. 23 by Fernando Sor (Fernando Sor)

How to Reach Difficult Stretches and Nasty Chords

Sor, Fernando

Study No. 17 in Segovia's 20 Studies by Fernando Sor (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 1

Sor, Fernando

Study No. 17 in Segovia's 20 Studies by Fernando Sor (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 2

Sor, Fernando

Study No. 19 from Andres Segovia's 20 Studies, Op. 29, No. 13 by Fernando Sor (Fernando Sor)

How to Reach Difficult Stretches and Nasty Chords

Sor, Fernando

Twenty Four Progressive Lessons, Op. 31, No. 1 (Fernando Sor)

How to Count the Rhythms in Songs Written in Multiple Parts

Sor, Fernando

Twenty-Four Very Easy Exercises, Op. 35 No. 1 (Fernando Sor)

How to Count the Rhythms in Songs Written in Multiple Parts

Sor, Fernando

Variations on a Theme by Mozart, Op. 9 (Fernando Sor)

Fast Guitar Scales With "ami"

Sor, Fernando

Variations on a Theme by Mozart, Op. 9 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 3

Sor, Fernando

Variations on a Theme by Mozart, Op. 9 (Fernando Sor)

How to Reach Difficult Stretches and Nasty Chords

Sor, Fernando

Variations on a Theme by Mozart, Op. 9 (Fernando Sor)

How to Use Reflex Practice to Master Fast, Difficult Passages Other than Scales

Sor, Fernando

Variations on a Theme by Mozart, Op. 9 (Fernando Sor)

Practicing in Altered Rhythms

Sor, Fernando

Variations on a Theme by Mozart, Op. 9 (Fernando Sor)

Slurs

Sor, Fernando

Variations on a Theme by Mozart, Op. 9 (Fernando Sor)

The Anchor Finger Technique

Sor, Fernando

Waltz in E Major Op. 32 No. 2 (Fernando Sor)

Pizzicato

Sor, Fernando

Waltz in E, Op. 32, No. 2 (Fernando Sor)

How to Choose Right-Hand Fingerings, Part 3

Tansman, Alexandre

Danza Pomposa (Alexandre Tansman)

How to Play Loud on the Guitar

Tansman, Alexandre

Danza Pomposa (Alexandre Tansman)

Specialty Bars Part 3: Partial Bars

Tansman, Alexandre

Mazurka (Alexandre Tansman)

Playing in High Positions

Tárrega, Francisco

Adelita (Francisco Tárrega)

How to Count the Rhythms in Songs Written in Multiple Parts

Tárrega, Francisco

Adelita (Francisco Tárrega)

How to Reach Difficult Stretches and Nasty Chords

Tárrega, Francisco

Adelita (Francisco Tárrega)

Know What You Are Playing—Sing!

Tárrega, Francisco

Adelita (Francisco Tárrega)

Pre-Planting At the Beginning of a Piece

Tárrega, Francisco

Adelita (Francisco Tárrega)

String Damping, Part 1

Tárrega, Francisco

Adelita (Francisco Tárrega)

String Damping, Part 2

Tárrega, Francisco

Adelita (Francisco Tárrega)

String Damping, Part 4

Tárrega, Francisco

Adelita (Francisco Tárrega)

Vibrato, Part 2

Tárrega, Francisco

Capricho Arabe (Francisco Tárrega)

Connecting a Single Melody Note to a Strummed or Arpeggiated Chord

Tárrega, Francisco

Capricho Arabe (Francisco Tárrega)

How to Choose Right-Hand Fingerings, Part 2

Tárrega, Francisco

Capricho Arabe (Francisco Tárrega)

How to Count the Rhythms in Songs Written in Multiple Parts

Tárrega, Francisco

Capricho Arabe (Francisco Tárrega)

How to Play Loud on the Guitar

Tárrega, Francisco

Capricho Arabe (Francisco Tárrega)

How to Reach Difficult Stretches and Nasty Chords

Tárrega, Francisco

Capricho Arabe (Francisco Tárrega)

How to Use Reflex Bursts to Learn a Fast Scale

Tárrega, Francisco

Capricho Arabe (Francisco Tárrega)

Rest Stroke Follow Through

Tárrega, Francisco

Capricho Arabe (Francisco Tárrega)

Slurs

Tárrega, Francisco

Capricho Arabe (Francisco Tárrega)

Specialty Bars Part 3: Partial Bars

Tárrega, Francisco

Capricho Arabe (Francisco Tárrega)

The Anchor Finger Technique

Tárrega, Francisco

Gran Jota de Concierto (Francisco Tárrega)

Snare Drum Effect, Part 1 of 2

Tárrega, Francisco

Gran Jota de Concierto (Francisco Tárrega)

Snare Drum Effect, Part 2 of 2

Tárrega, Francisco

Jota Sobre Motivos Populares (Francisco Tárrega)

Snare Drum Effect, Part 1 of 2

Tárrega, Francisco

Jota Sobre Motivos Populares (Francisco Tárrega)

Snare Drum Effect, Part 2 of 2

Tárrega, Francisco

Lágrima (Francisco Tárrega)

Guide Fingers

Tárrega, Francisco

Lágrima (Francisco Tárrega)

Mark Up Your Music

Tárrega, Francisco

Lágrima (Francisco Tárrega)

Rest Stroke Follow Through

Tárrega, Francisco

Lágrima (Francisco Tárrega)

Tone Color, Part 3

Tárrega, Francisco

Lágrima (Francisco Tárrega)

Vibrato, Part 2

Tárrega, Francisco

Maria (Francisco Tárrega)

Connecting a Single Melody Note to a Strummed or Arpeggiated Chord

Tárrega, Francisco

Maria (Francisco Tárrega)

Pizzicato

Tárrega, Francisco

Marieta (Francisco Tárrega)

Specialty Bars Part 3: Partial Bars

Tárrega, Francisco

Recuerdos de la Alhambra (Francisco Tárrega)

How to Use Hinge Bars as Guide Fingers

Tárrega, Francisco

Recuerdos de la Alhambra (Francisco Tárrega)

Specialty Bars Part 2: Cross-Fret Bars

Tárrega, Francisco

Recuerdos de la Alhambra (Francisco Tárrega)

Specialty Bars Part 3: Partial Bars

Torroba, Federico Moreno

Sonatina, 1st Movement (Federico Moreno Torroba)

How to Choose Right-Hand Fingerings, Part 3

Turina, Joaquin

Fandanguillo (Joaquín Turina)

How to Play Loud on the Guitar

Turina, Joaquin

Fandanguillo (Joaquín Turina)

Natural, Right Hand, and Artificial Harmonics

Turina, Joaquin

Fandanguillo (Joaquín Turina)

Specialty Bars Part 1: Hinge Bars

Turina, Joaquin

Fandanguillo (Joaquín Turina)

Tone Color, Part 3

Turina, Joaquin

Fandanguillo, Ráfaga, and Soleares (Joaquín Turina)

Rasgueados, Part 3 of 3

Turina, Joaquin

Garrotín (Joaquín Turina)

Fast Guitar Scales With "ami"

Turina, Joaquin

Garrotín (Joaquín Turina)

Right-Hand Finger Alternation

Turina, Joaquin

Garrotín (Joaquín Turina)

Slurs

Turina, Joaquin

Ráfaga (Joaquín Turina)

The Anchor Finger Technique

Turina, Joaquin

Soleares (Joaquín Turina)

Slurs

Van, Jeffrey

A Procession Winding Around Me (Jeffrey Van)

Snare Drum Effect, Part 2 of 2

Van, Jeffrey

Beat! Beat! Drums! from A Procession Winding Around Me (Jeffrey Van)

Snare Drum Effect, Part 2 of 2

Villa-Lobos, Heitor

Choros No. 1 (Heitor Villa-Lobos)

How to Use Hinge Bars as Guide Fingers

Villa-Lobos, Heitor

Choros No. 1 (Heitor Villa-Lobos)

Vibrato, Part 2

Villa-Lobos, Heitor

Etude No. 1 (Heitor Villa-Lobos)

How to Use Hinge Bars as Guide Fingers

Villa-Lobos, Heitor

Etude No. 1 (Heitor Villa-Lobos)

Mark Up Your Music

Villa-Lobos, Heitor

Etude No. 1 (Heitor Villa-Lobos)

Shifting

Villa-Lobos, Heitor

Etude No. 1 (Heitor Villa-Lobos)

Slurs

Villa-Lobos, Heitor

Etude No. 1 (Heitor Villa-Lobos)

Top Ten Nasty Habits #1, Allowing Left-Hand Fingers to "Help" a Bar

Villa-Lobos, Heitor

Etude No. 7 (Heitor Villa-Lobos)

Fast Guitar Scales With "ami"

Villa-Lobos, Heitor

Etude No. 7 (Heitor Villa-Lobos)

How to Reach Difficult Stretches and Nasty Chords

Villa-Lobos, Heitor

Etude No. 7 (Heitor Villa-Lobos)

Interval and Chord Balance Part 3 of 4

Villa-Lobos, Heitor

Etude No. 7 (Heitor Villa-Lobos)

Top Ten Nasty Habits #1, Allowing Left-Hand Fingers to "Help" a Bar

Villa-Lobos, Heitor

Prelude No. 1 (Heitor Villa-Lobos)

How to Choose Right-Hand Fingerings, Part 3

Villa-Lobos, Heitor

Prelude No. 1 (Heitor Villa-Lobos)

How to Reach Difficult Stretches and Nasty Chords

Villa-Lobos, Heitor

Prelude No. 1 (Heitor Villa-Lobos)

Interval and Chord Balance Part 3 of 4

Villa-Lobos, Heitor

Prelude No. 1 (Heitor Villa-Lobos)

Playing On the Tips of the Fingers

Villa-Lobos, Heitor

Prelude No. 1 (Heitor Villa-Lobos)

Shifting

Villa-Lobos, Heitor

Prelude No. 1 (Heitor Villa-Lobos)

String Damping, Part 3

Villa-Lobos, Heitor

Prelude No. 1 (Heitor Villa-Lobos)

String Squeaks and Romeo and Juliet

Villa-Lobos, Heitor

Prelude No. 3 (Heitor Villa-Lobos)

Connecting a Single Melody Note to a Strummed or Arpeggiated Chord

Villa-Lobos, Heitor

http://douglasniedt.com/Tech_Tip_Guide_Fingers.html

Guide Fingers

Villa-Lobos, Heitor

Prelude No. 3 (Heitor Villa-Lobos)

How to Buy a Classical Guitar

Villa-Lobos, Heitor

Prelude No. 3 (Heitor Villa-Lobos)

How to Choose Right-Hand Fingerings, Part 3

Villa-Lobos, Heitor

Prelude No. 3 (Heitor Villa-Lobos)

Right-Hand Finger Alternation

Villa-Lobos, Heitor

Prelude No. 3 (Heitor Villa-Lobos)

Vibrato, Part 2

Villa-Lobos, Heitor

Prelude No. 4 (Heitor Villa-Lobos)

Counting Out Loud—the Skill that Will Improve Your Guitar Playing More than Anything Else

Villa-Lobos, Heitor

Prelude No. 4 (Heitor Villa-Lobos)

How to Choose Right-Hand Fingerings, Part 3

Villa-Lobos, Heitor

Prelude No. 4 (Heitor Villa-Lobos)

How to Read Harmonic Notation

Villa-Lobos, Heitor

Prelude No. 4 (Heitor Villa-Lobos)

Interval and Chord Balance Part 1 of 4

Villa-Lobos, Heitor

Prelude No. 4 (Heitor Villa-Lobos)

String Squeaks and Romeo and Juliet

Villa-Lobos, Heitor

Prelude No. 4 (Heitor Villa-Lobos)

The Anchor Finger Technique

Vivaldi, Antonio

Concerto in D Major (Antonio Vivaldi)

Right-Hand Finger Alternation

Walker, Jerry Jeff

Mr. Bojangles (Jerry Jeff Walker)

How to Play Staccato, Part 3 of 3

Ward, Samuel A.

America (Samuel A. Ward)

Sight Reading

Yarrow, Peter and Lipton, Leonard

Puff the Magic Dragon (Peter Yarrow and Leonard Lipton)

Step Practice

York, Andrew

In Sorrow's Wake (Andrew York)

Natural, Right Hand, and Artificial Harmonics